Then, ashamed and penitent, she hid her face. “May God forgive me!” said she. Doubtless, God did forgive her. But, taking the inward and outward history of the first half-day into consideration, Hepzibah began to fear that the shop would prove her ruin in a moral and religious point of view, without contributing very essentially towards even her temporal welfare. IV. A Day Behind the Counter Towards noon, Hepzibah saw an elderly gentleman, large and portly, and of remarkably dignified demeanor, passing slowly along on the opposite side of the white and dusty street. On coming within the shadow of the Pyncheon Elm, he stopt, and (taking off his hat, meanwhile, to wipe the perspiration from his brow) seemed to scrutinize, with especial interest, the dilapidated and rusty-visaged House of the Seven Gables. He himself, in a very different style, was as well worth looking at as the house. No better model need be sought, nor could have been found, of a very high order of respectability, which, by some indescribable magic, not merely expressed itself in his looks and gestures, but even governed the fashion of his garments, and rendered them all proper and essential to the man. Without appearing to differ, in any tangible way, from other people’s clothes, there was yet a wide and rich gravity about them that must have been a characteristic of the wearer, since it could not be defined as pertaining either to the cut or material. His gold-headed cane, too,—a serviceable staff, of dark polished wood,—had similar traits, and, had it chosen to take a walk by itself, would have been recognized anywhere as a tolerably adequate representative of its master. This character—which showed itself so strikingly in everything about him, and the effect of which we seek to convey to the reader—went no deeper than his station, habits of life, and external circumstances. One perceived him to be a personage of marked influence and authority; and, especially, you could feel just as certain that he was opulent as if he had exhibited his bank account, or as if you had seen him touching the twigs of the Pyncheon Elm, and, Midas-like, transmuting them to gold. In his youth, he had probably been considered a handsome man; at his present age, his brow was too heavy, his temples too bare, his remaining hair too gray, his eye too cold, his lips too closely compressed, to bear any relation to mere personal beauty. He would have made a good and massive portrait; better now, perhaps, than at any previous period of his life, although his look might grow positively harsh in the process of being fixed upon the canvas. The artist would have found it desirable to study his face, and prove its capacity for varied expression; to darken it with a frown,—to kindle it up with a smile.