He held Ernest's hand for a moment in a firm genial grasp, then turned
away briskly, while the boy remained standing open-mouthed. The crowd
jostling against him carried him almost off his feet, but his eyes
followed far into the night the masterful figure of Reginald Clarke,
toward whom he felt himself drawn with every fiber of his body and the
warm enthusiasm of his generous youth.
II
With elastic step, inhaling the night-air with voluptuous delight,
Reginald Clarke made his way down Broadway, lying stretched out before
him, bathed in light and pulsating with life.
His world-embracing intellect was powerfully attracted by the Giant
City's motley activities. On the street, as in the salon, his magnetic
power compelled recognition, and he stepped through the midst of the
crowd as a Circassian blade cleaves water.
After walking a block or two, he suddenly halted before a jeweller's
shop. Arrayed in the window were priceless gems that shone in the glare
of electricity, like mystical serpent-eyes--green, pomegranate and
water-blue. And as he stood there the dazzling radiance before him was
transformed in the prism of his mind into something great and very
wonderful that might, some day, be a poem.
Then his attention was diverted by a small group of tiny girls dancing
on the sidewalk to the husky strains of an old hurdy-gurdy. He joined
the circle of amused spectators, to watch those pink-ribboned bits of
femininity swaying airily to and fro in unison with the tune. One
especially attracted his notice--a slim olive-coloured girl from a land
where it is always spring. Her whole being translated into music, with
hair dishevelled and feet hardly touching the ground, the girl suggested
an orange-leaf dancing on a sunbeam. The rasping street-organ,
perchance, brought to her melodious reminiscences of some flute-playing
Savoyard boy, brown-limbed and dark of hair.
For several minutes Reginald Clarke followed with keen delight each
delicate curve her graceful limbs described. Then--was it that she grew
tired, or that the stranger's persistent scrutiny embarrassed her?--the
music oozed out of her movements. They grew slower, angular, almost
clumsy. The look of interest in Clarke's eyes died, but his whole form
quivered, as if the rhythm of the music and the dance had mysteriously
entered into his blood.
He continued his stroll, seemingly without aim; in reality he followed,
with nervous intensity, the multiform undulations of the populace,
swarming through Broadway in either direction. Like the giant whose
strength was rekindled every time he touched his mother, the earth,
Reginald Clarke seemed to draw fresh vitality from every contact with
life.
Public-domain text, read in full here on John Shaqi.
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