Though blind, he knew just where he could put his hand upon all his most
cherished volumes, and woe betide any one who put a volume back in its
wrong place!
Gabrielle rose, and, obtaining the steps, reached down the great
leather-bound quarto book, which she carried to a reading-desk and at
once searched the index.
The work was in Italian, a language which she knew fairly well; and
after ten minutes or so, during which time the blind man continued
slowly to trace the inscription with his finger-tips, she said, "Here it
is, dad. 'Rancia, near Cremona. The religious brotherhood was founded
there in 1132, and the Abbot Benedict was third abbot, from 1218 to
1231. The church still exists. The magnificent pulpit in marble,
embellished with mosaics, presented in 1272, rests on six columns
supported by lions, with an inscription: "_Nicolaus de Montava
marmorarius hoc opus fecit._" Opposite it is the ambo (1272), in a
simple style, with a representation of Jonah being swallowed by a whale.
In the choir is the throne adorned by mosaics, and the Cappella di San
Pantaleone contains the blood of the saint, together with some relics of
the Abbot Benedict. The cloisters still exist, though, of course, the
monastery is now suppressed.'"
"And this," remarked Sir Henry, turning over the old bronze seal in his
hand, "belonged to the Abbot Ambrose six hundred and fifty years ago!"
"Yes, dad," declared the girl, returning to his side and taking the
matrix herself to examine it under the green-shaded reading-lamp. "The
study of seals is most interesting. It carries one back into the dim
ages. I hope the Professor will allow you to keep these casts for your
collection."
"Yes, I know he will," responded the old Baronet. "He is well aware what
a deep interest I take in my hobby."
"And also that you are one of the first authorities in the world upon
the subject," added his daughter.
The old man sighed. Would that he could see with his eyes once again;
for, after all, the sense of touch was but a poor substitute for that of
sight!
He drew towards him the impression of the second of the oval seals. The
centre was divided into two portions. Above was the half-length figure
of a saint holding a closed book in his hand, and below was a youth with
long hands in the act of adoration. Between them was a scroll upon which
was written: "Sc. Martine O.P.N.," while around the seal were the words
in Gothic characters:
+ SIGIL . HEINRICHI . PLEBANI . D' DOELSC'H +
Public-domain text, read in full here on John Shaqi.
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