The House on the Beach: A Realistic Tale — John Shaqi
The House on the Beach: A Realistic TaleMeredith, George
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The House on the Beach: A Realistic Tale
Meredith, George
English fiction -- 19th century
Mr. Van Diemen Smith did not present the card in person.
"At Crickledon's," he wrote, apparently expecting the bailiff of the
town to rush over to him before knowing who he was.
Tinman was far too busy. Anybody can read plain penmanship or print, but
ask anybody not a Cabinet Minister or a Lord-in-Waiting to read out loud
and clear in a Palace, before a Throne. Oh! the nature of reading is
distorted in a trice, and as Tinman said to his worthy sister: "I can do
it, but I must lose no time in preparing myself." Again, at a reperusal,
he informed her: "I must habituate myself." For this purpose he had put
on the suit overnight.
The articulation of faultless English was his object. His sister Martha
sat vice-regally to receive his loyal congratulations on the illustrious
marriage, and she was pensive, less nervous than her brother from not
having to speak continuously, yet somewhat perturbed. She also had her
task, and it was to avoid thinking herself the Person addressed by her
suppliant brother, while at the same time she took possession of the
scholarly training and perfect knowledge of diction and rules of
pronunciation which would infallibly be brought to bear on him in the
terrible hour of the delivery of the Address. It was no small task
moreover to be compelled to listen right through to the end of the
Address, before the very gentlest word of criticism was allowed. She did
not exactly complain of the renewal of the rehearsal: a fatigue can be
endured when it is a joy. What vexed her was her failing memory for the
points of objection, as in her imagined High Seat she conceived them;
for, in painful truth, the instant her brother had finished she entirely
lost her acuteness of ear, and with that her recollection: so there was
nothing to do but to say: "Excellent! Quite unobjectionable, dear
Martin, quite:" so she said, and emphatically; but the addition of the
word "only" was printed on her contracted brow, and every faculty of
Tinman's mind and nature being at strain just then, he asked her testily:
"What now? what's the fault now?" She assured him with languor that
there was not a fault. "It's not your way of talking," said he, and what
he said was true. His discernment was extraordinary; generally he
noticed nothing.
Public-domain text, read in full here on John Shaqi.
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