Nothing happened after that until Saturday, which was the day on which
I generally wrote to my mother. After tea, I took my desk upstairs to
my own room; it was pleasanter there than in the schoolroom; I liked
the view of the marsh between the trees, and the sighing of the wind
among the poplars. I had not written many lines before another sound
overpowered the rustle of the leaves--the faint tones of a violin. At
first I could distinguish only a few notes of the melody, then there
was a pause and a sound as of an opening window; after that,
Schubert’s beautiful “Aufenthalt” rang out clearly and held me as if
enchanted. It must be Mr. Rayner come back. I had not thought, when he
said he played the violin, that he could play like that. I must hear
better. When the last long sighing note of the “Aufenthalt” had died
away, I shut up my half-finished letter hastily in my desk and slipped
downstairs with it. The music had begun again. This time it was the
“Ständchen.” I stole softly through the hall, meaning to finish my
letter in the schoolroom, where, with the door ajar, I could hear the
violin quite well. But, as I passed the drawing-room door, Mr. Rayner,
without pausing in his playing, cried “Come in!” I was startled by
this, for I had made no noise; but I put my desk down on the hall
table and went in. Mrs. Rayner and Haidee were there, the former with
a handsome shawl, brought by her husband, on a chair beside her, and
my pupil holding a big wax doll, which she was not looking at--the
child never cared for her dolls. Mr. Rayner, looking handsomer than
ever, sunburnt, with his chestnut hair in disorder, smiled at me and
said, without stopping the music--
“I have not forgotten you. There is a _souvenir_ of your dear London
for you,” and nodded towards a rough wooden box, nailed down.
I opened it without much difficulty; it was from Covent Garden, and in
it, lying among ferns and moss and cotton-wool, were a dozen heavy
beautiful Marshal Niel roses. I sat playing with them in an ecstasy of
pleasure, intoxicated with music and flowers, until Mr. Rayner put
away his violin and I rose to say good-night.
“Lucky Beauty!” he said, laughing, as he opened the door for me.
“There is no beast for you to sacrifice yourself to in return for the
roses.”
I laughed back and left the room, and, putting my desk under my
flowers, went towards the staircase. Sarah was standing near the foot
of it, wearing a very forbidding expression.
“So you’re bewitched too!” she said, with a short laugh, and turned
sharply towards the servants’ hall.
And I wondered what she meant, and why Mr. and Mrs. Rayner kept in
their service such a very rude and disagreeable person.
CHAPTER V.
Public-domain text, read in full here on John Shaqi.
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