Let us enter at this door, which marks itself off from the floor of the hall by that slender line of light. It has the same prospect as the dining-room, when there is any daylight to see it; but it is smaller than that gloomy apartment; two large bookcases, shut in by a brass network, stand out with sharp and angular corners from the walls, no attempt having been made to fill up the vacant space at either side of them, or to harmonize these gaunt pieces of furniture with anything else in the room. There are two or three chairs, which stand fixed and immovable in corners, plainly testifying that nobody ever sits there; and before the fire a library table, and in a round-backed elbow-chair the father of the house. He sits there reading with a forlorn persistence wonderful to see--reading for no purpose, reading with little interest, yet turning page after page with methodical regularity, and bending his lowering forehead on the book as if it were the business of his life. He is dark, not so much in complexion as in sentiment--a close, self-absorbed, impenetrable man. It is not difficult to perceive that he is neither a student by ardent inclination, nor by profession a searcher into books; but what is the secret of these solitary studies is hard to discover. He sits with his head leaning upon one hand, and the other turning the pages--sits often for hours in that one position. He is scarcely ever stimulated into interest, and never owns the enlivening touch of that zeal and curiosity which hunts for proofs or illustrations of a favourite theory through a dozen volumes. There is no heap of books by his side, but only one orderly volume, which is not of the class of those fantastic delightful reverie books in which studious men delight. The blank, straightforward manner in which he reads on comes to be impressive in its singularity after a time. He seems to pursue this occupation as a clerk keeps books, and counts his progress, you could imagine, by the number of the pages he has read, and by no less tangible criterion; and nothing moves the settled darkness of his uncommunicative face. Behind him, hung by the side of the window, in the worst light of the room, is a portrait, a very common work, done by a mediocre painter, but in all probability very like its original, for the face looks down through the gloom with a real smile, which paint cannot give--a sweet, home-like, domestic woman, such another as Susan will be when the years and the hours have carried her into her own life. There can be no doubt it is Susan's mother and this man's wife. There is no other picture in the house, and he cares so little for anyone seeing this, that he has hung it in the shadows of the red moreen curtains, where nobody can distinguish the features. Most likely he knows the features well enough to penetrate that darkness; for though he sits with his back to it most usually, it is for his pleasure it is here.