The House on the Moor, v. 2/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 2/3
Oliphant, Mrs. (Margaret)
Fiction
When he was out upon the high road he turned back to look at the Grange.
The evening was dark and favoured him. The day had been mild, and early
spring quickened and rustled among those trees, warming to the very tips
of their branches with that invisible and silent life which should
shortly make them green. There they stood clustering in mutual defence
against the night wind, with the high-pitched gable-roof of the old
house looking out from among them, and the black belt of firs behind
filling up the breaks in their softer outline. By-and-bye, as Roger
lingered in that last wistful look, he could see a small, unsteady light
wandering from window to window. It was poor old Sally shutting the
shutters, murmuring to herself that it was always so when the family
were from home. There was something in the action symbolical and
significant to Roger; it was the shutting up of the old house, the
closing of the old refuge, the audible and visible sentence forbidding
the return which up to that moment had been possible: he turned away
with tears in his eyes, slung his travelling-bag over his strong
shoulders, and setting his face to the wind, sped away through the dark
country roads to the little new-built railway town, with its inns and
labourers' cottages. It was quite dark when he got there; the lights
dazzled him, and the noise of the coffee-room into which he went filled
him with disgust in his exalted and excited state of feeling. Strangely
enough as it appeared to him, a recruiting party had possession of the
inn; a swaggering sergeant with parti-coloured ribbons went and came
between the coffee-room and the bar, where a batch of recruits were
drowning their regrets and compunctions in oceans of beer. Roger went
out, with a strange mixture of disgust and curiosity, to look at them.
He could not observe, and criticize, and despise as Horace Scarsdale
could have done; he found no amusement in the coarse self-reproach of
one, the sullen obstinacy of another, the reckless gaiety with which a
third put off his repentance till to-morrow. The din of their pretended
enjoyment was pathetic and melancholy to Roger; but, amid all, he could
not help the thought which occurred to him again and again--"Am I to be
the comrade of these unfortunate blockheads?--are these my
brothers-in-arms?"
Public-domain text, read in full here on John Shaqi.
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