The House on the Moor, v. 3/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 3/3
Oliphant, Mrs. (Margaret)
Fiction
This extraordinary and unexpected event took Horace much by surprise. It
was the first time in his life that he had not scorned womankind and all
its influences; but Amelia Stenhouse was an entirely new development of
feminity. She was very--extremely handsome, in the first place, and she
was authoritative and imperious, and had a kind of wit which her beauty
made brilliant and successful. Used to homage and admiration, accustomed
to believe that it became her, and was her privilege to do unusual
things and make unusual speeches, and audaciously confident in her own
powers, she shone upon Horace like a new species unknown and
undiscovered before; and the contrast offered by her exuberant beauty,
"dash," and presumption, was irresistibly piquant to the brother of
Susan, on whom a tamer and sweeter beauty might have shone for years in
vain. Horace neither knew the moment nor the means by which that amazing
accident befell him; but it had happened long before the other people
had eaten their dinner, transcending such common earthly occupations as
much in speed as in importance. Neither did he know how the evening
passed, in his sudden and strange intoxication. His new passion partook
of the nature of all sublime and primitive emotions, so far, at least,
as to blot out the little cross-bars of time from the young man's
consciousness, and blur these hours into one exciting moment. He was
transported even out of himself--a more remarkable result--and turned
his back upon Mr. Stenhouse, and forgot his own interest, in devouring
with his eyes, and pursuing with his attentions, this new star called
Amelia, whom already--arrogant even in his love--he determined upon
appropriating, however she or any one else might choose to object.
Public-domain text, read in full here on John Shaqi.
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