The House on the Moor, v. 3/3Oliphant, Mrs. (Margaret)
General
The House on the Moor, v. 3/3
Oliphant, Mrs. (Margaret)
Fiction
"Oh! Mr. Scarsdale--if I were not so anxious and so agitated, I should
be very angry," said Amelia. "Pray, go away, sir. You are a great deal
too bold, you gentlemen. But to think of poor papa: quite well yesterday
morning, and to-night--oh dear! oh dear!"
"Perhaps he is not so bad as you suppose," said Horace.
"He is a great deal worse than anybody supposes," cried Amelia, with a
little sob. "Here, you--Harriet--Emma! Run up this moment, and knock at
the door, and ask how dear papa is; whether there is any change. I am so
afraid to hear there is any change; the words sound so dreadful--don't
they, Mr. Scarsdale?--and when it is one's father! Oh! what a long time
that child loiters. I must run myself! Wait just a moment, please."
And Amelia swept away, upsetting a chair in her progress, and almost
puffing out one of the candles on the table by the current of air which
attended her movements. She came back again a few minutes after,
breathless, but walking with great solemnity.
"He is no better--there is no difference, Mr. Scarsdale," she said, with
a great sigh, seating herself with the deepest seriousness, casting down
her eyes, and shaking her head. Horace watched her through all this
pantomime with glowing eyes. Not that he remarked or commented on the
character which thus showed itself: he cared no more for Amelia's
character than he did for her grandmother's; but from the splendid black
hair wreathed round her head, to the little foot which came out from
under her wide drapery, and upon which her own downcast eyes were fixed,
the young man devoured her with his gaze of bold and selfish passion. He
should have her yet, whoever might object: she should belong to him,
whether she would or not. That was the pivot of his fancy; and all
Amelia's pretty trickery was nothing to her thorough-going admirer, nor
did he even feel himself reminded of his special errand here, or of the
suffering man upon whom "as yet"--ominous words--there was no change!
Perhaps neither of the young people knew very well how long Horace
remained in that deserted drawing-room, which had so strange an air of
agitation to-night upon all its familiar aspects, and which, though
nothing was changed, bore somehow so clear an impression of being no
longer the centre of interest, but rather a forsaken corner out of the
current. After a while, however, the _tête-à-tête_ was rudely
interrupted by the staggering entrance of Mr. Stenhouse's
man-of-all-work, carrying in his arms the invalid boy with whom Horace
had made private acquaintance on his first visit here.
Public-domain text, read in full here on John Shaqi.
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