"That's a good girl. You must get a long night's rest, and if you
are better in the morning I will let you see your friend. He'll
wait, you know; I don't believe he will be in any hurry to leave,
do you?" But she only frowned at my attempt at jocularity. I rang
the bell and asked the butler to call Mrs. Derwent, to whom I gave
full directions as to what I wanted done, and had the satisfaction
of seeing May go up-stairs with her mother. I waited till the
latter came down again, and then told her as gently as possible
that her daughter was on the verge of brain fever, but that I hoped
her excellent constitution might still save her from a severe
illness.
The next question was, what to do with Norman.
May's positive belief that he was coming had proved contagious, and
I found that we were both expecting him. I thought it would be best
for me to meet him at the train, tell him of May's sudden illness
and offer to put him up at our place for the night. Mrs. Derwent,
after some hesitation, agreed to this plan. Norman turned up, as I
knew he would. He is very quiet, and does not appear surprised
either at his sudden invitation or at May's illness. He also seems
to think it quite natural that he should stay in the neighbourhood
till she is able to see him. He looks far from well himself, and is
evidently worried to death about May. He has been out all the
evening, and I suspect him of having been prowling around the
Beloved's house.
Now tell me--what do you think is the meaning of all this? Is the
body Maurice Greywood's, or is it not? If it is he--who killed him
and why? If she--but I'll not believe it unless I also believe her
to have had a sudden attack of acute mania--and that, of course,
is possible, especially when we consider what a highly nervous
state she is still in.
But if the dead man was really a stranger to her, as she asserts,
why then does every mention of the murder cause her to become so
excited? Why does she appear to be for ever watching for somebody?
Why did she cry out in her sleep: "Oh, he's dead, he's dead!"?
Again, the only reasonable explanation seems to be that her mind
has become slightly unhinged. And if that is the case, what rôle
does Norman play in this tragedy, and why did she insist on his
being sent for? Above all, why does he consider it natural that she
should have done so?
Now, knowing all this, can you advise me as to what I ought to do
to help the poor girl?
I hear Norman coming in, so must end abruptly, although I have a
lot more to say.
Affectionately yours,
FRED.
CHAPTER IX
I INSTRUCT MR. MERRITT.
While these things had been happening in the country, my Sunday in town
had been almost equally eventful.
Public-domain text, read in full here on John Shaqi.
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