The House We Live In; or, The Making of the BodyFarnsworth, Vesta J.
Science
The House We Live In; or, The Making of the Body
Farnsworth, Vesta J.
Hygiene -- Juvenile literature; Physiology -- Juvenile literature
OUR KITCHEN
MOTHER: We will now let Bread proceed with its story. Remember I am
telling you what it would say if it could talk. Now listen. While I
was in the passage and the servants were making me ready to go to the
kitchen, I saw a small pink curtain in the back end of the room, and
I wondered what was behind it. I soon found out. After the tongue had
pulled and pushed me around and rolled me over as long as he wished, he
pushed me back toward the curtain, and I found myself in a room with no
floor. I saw a passage which opens into the nose, but as soon as I came
in sight, a curtain fell back and closed it, so I knew I was not wanted
there. Then I saw another door, which I afterward learned led to the
bath-room in the lungs, but as I was about to go in, a little trap door
closed tightly, and so I found that was not the way to the kitchen.
There was still another passage, for this room seemed to be filled with
doors, even though it was so small, but that led to the ear. I began to
think I was not wanted at all, for every door I came to was shut in my
face, as it were.
HELEN: I don’t wonder Bread didn’t know which way to go, do you,
mother? and it was a stranger in the house, too.
MOTHER: I was just thinking about going back through the folding doors
through which I came, when a door opened in the back part of the
throat, and I began to slide downstairs. Such queer stairs you never
saw. They seemed to grow larger as I went down, and smaller at the top,
so they kept pushing me, and I could not go back if I would.
[Illustration: _The stomach._]
PERCY: I suppose it was the same way when I swallowed a button the
other day. I wanted it back badly enough, but it wouldn’t come.
HELEN: That shows you should never put such things as pins and buttons
in your mouth.
ELMER: And what did the kitchen look like?
MOTHER: Like no room you ever saw in your life. I looked around for the
corners, but there were none. It is shaped some like an egg. Here is a
picture, which will help you to understand the shape of the room.
You see it has two doors, or openings,--one at which to go in, and the
other to pass out. The walls are a pale pink color and are full of
wrinkles if the room is empty. When the master of the house sends down
so much bread or other food that it fills the kitchen full, the walls
become smooth and the room is larger, but when the food first begins
to go down, it finds the room quite small, and the walls full of folds,
or wrinkles.
Public-domain text, read in full here on John Shaqi.
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