The House with the Green ShuttersBrown, George Douglas
General
The House with the Green Shutters
Brown, George Douglas
Scotland -- Social life and customs -- 19th century -- Fiction
It was the same sensitiveness to physical impression which won him to
Barbie that repelled him from the outer world. The scenes round Barbie,
so vividly impressed, were his friends, because he had known them from
his birth; he was a somebody in their midst and had mastered their
familiarity; they were the ministers of his mind. Those other scenes
were his foes, because, realizing them morbidly in relation to himself,
he was cowed by their big indifference to him, and felt puny, a nobody
before them. And he could not pass them like more manly and more callous
minds; they came burdening in on him whether he would or no. Neither
could he get above them. Except when lording it at Barbie, he had never
a quick reaction of the mind on what he saw; it possessed him, not he
it.
About twilight, when the rain had ceased, his train was brought up with
a jerk between the stations. While the rattle and bang continued it
seemed not unnatural to young Gourlay (though depressing) to be whirling
through the darkening land; it went past like a panorama in a dream. But
in the dead pause following the noise he thought it "queer" to be
sitting here in the intense quietude and looking at a strange and
unfamiliar scene--planted in its midst by a miracle of speed, and
gazing at it closely through a window! Two ploughmen from the farmhouse
near the line were unyoking at the end of the croft; he could hear the
muddy noise ("splorroch" is the Scotch of it) made by the big hoofs on
the squashy head-rig. "Bauldy" was the name of the shorter ploughman, so
yelled to by his mate; and two of the horses were "Prince and Rab"--just
like a pair in Loranogie's stable. In the curtainless window of the
farmhouse shone a leaping flame--not the steady glow of a lamp, but the
tossing brightness of a fire--and thought he to himself, "They're
getting the porridge for the men!" He had a vision of the woman stirring
in the meal, and of the homely interior in the dancing firelight. He
wondered who the folk were, and would have liked to know them. Yes, it
was "queer," he thought, that he who left Barbie only a few hours ago
should be in intimate momentary touch with a place and people he had
never seen before. The train seemed arrested by a spell that he might
get his vivid impression.
When ensconced in his room that evening he had a brighter outlook on the
world. With the curtains drawn, and the lights burning, its shabbiness
was unrevealed. After the whirling strangeness of the day he was glad to
be in a place that was his own; here at least was a corner of earth of
which he was master; it reassured him. The firelight dancing on the tea
things was pleasant and homely, and the enclosing cosiness shut out the
black roaring world that threatened to engulf his personality. His
spirits rose, ever ready to jump at a trifle.
The morrow, however, was the first of his lugubrious time.
Public-domain text, read in full here on John Shaqi.
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