The House with the Green ShuttersBrown, George Douglas
General
The House with the Green Shutters
Brown, George Douglas
Scotland -- Social life and customs -- 19th century -- Fiction
Old Gourlay would have scorned the sentimentality of seeing him off from
the station, and Mrs. Gourlay was too feckless to propose it for
herself. Janet had offered to convoy him, but when the afternoon came
she was down with a racking cold. He was alone as he strolled on the
platform--a youth well-groomed and well-supplied, but for once in his
life not a swaggerer, though the chance to swagger was unique. He was
pointed out as "Young Gourlay off to the College." But he had no
pleasure in the role, for his heart was in his boots.
He took the slow train to Skeighan, where he boarded the express. Few
sensational experiences were unknown to his too-impressionable mind, and
he knew the animation of railway travelling. Coming back from Skeighan
in an empty compartment on nights of the past, he had sometimes shouted
and stamped and banged the cushions till the dust flew, in mere joy of
his rush through the air; the constant rattle, the quick-repeated noise,
getting at his nerves, as they get at the nerves of savages and
Englishmen on Bank Holidays. But any animation of the kind which he felt
to-day was soon expelled by the slow uneasiness welling through his
blood. He had no eager delight in the unknown country rushing past; it
inspired him with fear. He thought with a feeble smile of what Mysie
Monk said when they took her at the age of sixty (for the first time in
her life) to the top of Milmannoch Hill. "Eh," said Mysie, looking round
her in amaze--"eh, sirs, it's a lairge place the world when you see it
all!" Gourlay smiled because he had the same thought, but feebly,
because he was cowering at the bigness of the world. Folded nooks in
the hills swept past, enclosing their lonely farms; then the open
straths, where autumnal waters gave a pale gleam to the sky. Sodden
moors stretched away in vast patient loneliness. Then a gray smear of
rain blotted the world, penning him in with his dejection. He seemed to
be rushing through unseen space, with no companion but his own
foreboding. "Where are you going to?" asked his mind, and the wheels of
the train repeated the question all the way to Edinburgh, jerking it out
in two short lines and a long one: "Where are you going to? Where are
you going to? Ha, ha, Mr. Gourlay, where are you going to?"
Public-domain text, read in full here on John Shaqi.
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