The Human Comedy: Introductions and Appendix — John Shaqi
The Human Comedy: Introductions and AppendixBalzac, Honoré de
General
The Human Comedy: Introductions and Appendix
Balzac, Honoré de
French fiction
It must be the business of these introductions to give what assistance
they may to discover where it did lie; it is only necessary, before
taking up the task in the regular biographical and critical way of the
introductory cicerone, to make two negative observations. It did
not lie, as some have apparently thought, in the conception, or the
outlining, or the filling up of such a scheme as the _Comedie Humaine_.
In the first place, the work of every great writer, of the creative
kind, including that of Dante himself, is a _comedie humaine_. All
humanity is latent in every human being; and the great writers are
merely those who call most of it out of latency and put it actually on
the stage. And, as students of Balzac know, the scheme and adjustment
of his comedy varied so remarkably as time went on that it can hardly be
said to have, even in its latest form (which would pretty certainly have
been altered again), a distinct and definite character. Its so-called
scenes are even in the mass by no means exhaustive, and are, as they
stand, a very "cross," division of life: nor are they peopled by
anything like an exhaustive selection of personages. Nor again is
Balzac's genius by any means a mere vindication of the famous definition
of that quality as an infinite capacity of taking pains. That Balzac had
that capacity--had it in a degree probably unequaled even by the dullest
plodders on record--is very well known, is one of the best known things
about him. But he showed it for nearly ten years before the genius came,
and though no doubt it helped him when genius had come, the two things
are in his case, as in most, pretty sufficiently distinct. What the
genius itself was I must do my best to indicate hereafter, always
beseeching the reader to remember that all genius is in its essence and
quiddity indefinable. You can no more get close to it than you can get
close to the rainbow, and your most scientific explanation of it
will always leave as much of the heart of the fact unexplained as the
scientific explanation of the rainbow leaves of that.
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