American drama -- 20th century; American essays -- 20th century
It really blows on San Francisco Bay. During the winter, which is the
best cruising season, we have southeasters, southwesters, and occasional
howling northers. Throughout the summer we have what we call the "sea-
breeze," an unfailing wind off the Pacific that on most afternoons in the
week blows what the Atlantic Coast yachtsmen would name a gale. They are
always surprised by the small spread of canvas our yachts carry. Some of
them, with schooners they have sailed around the Horn, have looked
proudly at their own lofty sticks and huge spreads, then patronisingly
and even pityingly at ours. Then, perchance, they have joined in a club
cruise from San Francisco to Mare Island. They found the morning run up
the Bay delightful. In the afternoon, when the brave west wind ramped
across San Pablo Bay and they faced it on the long beat home, things were
somewhat different. One by one, like a flight of swallows, our more
meagrely sparred and canvassed yachts went by, leaving them wallowing and
dead and shortening down in what they called a gale but which we called a
dandy sailing breeze. The next time they came out, we would notice their
sticks cut down, their booms shortened, and their after-leeches nearer
the luffs by whole cloths.
As for excitement, there is all the difference in the world between a
ship in trouble at sea, and a small boat in trouble on land-locked water.
Yet for genuine excitement and thrill, give me the small boat. Things
happen so quickly, and there are always so few to do the work--and hard
work, too, as the small-boat sailor knows. I have toiled all night, both
watches on deck, in a typhoon off the coast of Japan, and been less
exhausted than by two hours' work at reefing down a thirty-foot sloop and
heaving up two anchors on a lee shore in a screaming southeaster.
Public-domain text, read in full here on John Shaqi.
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