American drama -- 20th century; American essays -- 20th century
MAUD. [Relenting.] Ye-e-s. [She rises, crosses to table, and is about
to stoop for motor cloak and bonnet, but he forestall her, holds cloak
and helps her into it.] Thank you. [She takes off wig, fluffs her own
hair becomingly, and puts on bonnet, looking every inch a pretty young
girl, ready for an automobile ride.]
FITZSIMMONS. [Who, all the time, watching her transformation, has been
growing bashful, now handing her the cigarette case.] Here's the
cigarette case. You may k-k-keep it.
MAUD. [Looking at him, hesitates, then takes it.] I thank you--er--Bob.
I shall treasure it all my life. [He is very embarrassed.] Why, I do
believe you're bashful. What is the matter?
FITZSIMMONS. [Stammering.] Why--I--you--You are a girl--and--a--a--deuced
pretty one.
MAUD. [Taking his arm, ready to start for door.] But you knew it all
along.
FITZSIMMONS. But it's somehow different now when you've got your girl's
clothes on.
MAUD. But you weren't a bit bashful--or nice, when--you--you--[Blurting
it out.] Were so anxious about birth marks.
[They start to make exit.]
CURTAIN
Public-domain text, read in full here on John Shaqi.
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