The Human Interest: A Study in IncompatibilitiesHunt, Violet
General
The Human Interest: A Study in Incompatibilities
Hunt, Violet
Man-woman relationships -- Fiction; Women -- England -- Fiction
She looked round her distractedly. The sun had declined; the day had
changed from morning to afternoon. She had been in this man’s company
for nearly two hours, without any excuse beyond her temporary faintness.
She got up nervously, though he did not seem to notice her, and wandered
a little way off across the meadow trying to collect her thoughts and
make a plan. A curious brown ball lying at the foot of a wild rose tree
attracted her attention. She picked it up and, with childish
inconsequence, carried it back to the artist to ask him to tell her what
it was. Suddenly it uncurled in her hand, and a tiny snout appeared in
front of the bristles! She dropped it with a modish scream, and the
artist perforce raised his head. He saw the situation at once, and
smiled a little. There was a cynical twist in his mouth that delighted
her.
“Did you say you had been bred in the country?” he asked.
“Why, what is it?”
“Only a hedgehog--a ‘hodgeon,’ as they call them here. Poor thing: it
trusted you, you see, and uncurled itself!”
“The darling; I must take it home.”
“I would,” he said dryly, and looked at his watch. “Four o’clock! I must
go to my afternoon subject.”
Trembling with apprehension, she watched him as he took the sketching
bag, and rammed his sketching things into it. He then summoned Billy to
take down the umbrella and follow with it, and shouldering the bag
himself, raised his cap civilly, bade her good morning, and was gone.
She sat there stupidly staring at the little yellow patch of trodden
grass where his feet had rested, and his camp had been set.
She was alone in the world again, a runaway wife, with all the problem
of her life before her!
The obvious course was to get up and go; but where? To London? What did
she care for London now? And anyhow, it was far too late to go on there
that night!
The smoke was rising from the chimneys of the cottage up there on the
brow, whence Billy Gale had brought the milk. Was the artist staying
there? She cast her eyes vaguely round her as if to ask the mild heavens
for help, and saw the boy in the distance, sitting kicking his heels
about on a dry rock, in mid-stream, not far from his master, presumably!
Then she rose, having conceived a reckless plan of action which she felt
the necessity of putting into execution at once; for if she were to
allow herself to think it over, she would never be able to bring herself
to do it at all. She beckoned to Billy Gale, and asked him to be so good
as to direct her to Mr. Rivers’ “afternoon subject” as she had heard him
call it.
The lad stared, but obediently led her to a place about a quarter of a
mile further down the river, opposite a ruined church, and a church
garth full of antique, wooden headstones, smothered in burdock leaves; a
scene of beautiful desolation.
Public-domain text, read in full here on John Shaqi.
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