The Human Interest: A Study in Incompatibilities — John Shaqi
The Human Interest: A Study in IncompatibilitiesHunt, Violet
General
The Human Interest: A Study in Incompatibilities
Hunt, Violet
Man-woman relationships -- Fiction; Women -- England -- Fiction
“A landscape painter must personify Nature a little, don’t you think? He
should raise altars to propitiate the divinities of rivers and groves,
so important for him. The Greta especially has a very wicked tutelary
spirit, who needs keeping in a good humour, only I have not time.”
“What do you mean?”
“It has its bore, like the Severn, or the Seine its Mascaret, and comes
down occasionally without the slightest warning, like a brown wall, and
sweeps everything, including landscape painters, before it.”
“You have seen it?”
“No, I have only heard of it, as yet. And I hope, when it comes, it will
not take me unawares--sitting in the bed of the river as I so often do!
I should have to run--or rather leap for it!”
“It is a danger!” she said, quite seriously.
“Oh, one of the very few that beset the artistic field of battle,” he
said, laughing; “there are not many. It teaches us painters to ‘look
alive’ and cultivate some of the qualities of a sailor. I do have to get
into such funny places to paint from sometimes--places where I literally
must hang on by my eyelids!... Now shall I ring for Dorothy to bring in
some other luxuries?”
Dorothy, summoned by a handbell, shambled in, bringing a bleached and
tremulous cornflour pudding and three doddering baked apples, and set
them down solemnly before Mr. Rivers and Mrs. Elles. The infatuated
woman did not mind--
“A jug of wine, a loaf of bread--and thou
Beside me, singing in the Wilderness,
Oh, Wilderness were Paradise enow!”
But when the maid had cleared the table, in her own primitive,
knock-me-down fashion, and replaced the white cloth by the hideous
tapestry one, covered with its pattern of pink roses, faded and dulled,
moreover, by the constant splashing of the painter’s brush in the
tumbler full of water which she, as regularly as clockwork, placed on
the middle patch of flowers every evening, Mrs. Elles was suddenly
overcome by an unusual sense of shyness. This man made her shy as no man
before had ever done. He was so polite and yet so distant. His want of
self-consciousness seemed a reproof to her imperious and pampered
personality.
To cover it, she rose and shyly looked round the room that the artist
had occupied year after year, and on which he had presumably impressed
himself, his tastes, his prevailing habit of mind.
Public-domain text, read in full here on John Shaqi.
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