The Human Interest: A Study in IncompatibilitiesHunt, Violet
General
The Human Interest: A Study in Incompatibilities
Hunt, Violet
Man-woman relationships -- Fiction; Women -- England -- Fiction
This was a rough arrangement of stepping stones, which the painter had
made for himself before he came there, by manipulating the loose
boulders of the river bed a little. It constituted a short cut from the
inn to his sketching place, and saved him a mile’s walk at least. He had
taken good care to give the stream play between the rough piers of his
bridge as it were, leaving enormous gaps and chasms, but still the river
resented being interfered with, and altered the position of the stones
and washed them away sometimes in the night, of malice prepense, as Mrs.
Elles declared. She found plenty to do every day in replacing the stones
that had been dislodged and adding new ones, and worked away merrily,
thinking of Cincinnatus and his plough, and of the picture Dante began
to paint for Beatrice, in this connection.
“The very first time the river comes down,” Rivers prophesied, “all our
work will have to be done over again. There will be no bridge left!”
She could, of course, have shown herself a great deal more agile without
her spectacles, which hampered her continually, but she had made a point
of never removing them in sight of her fellow creatures, and only
ventured to push them up over her brows when she was alone with only
cows and squirrels for witnesses. She clung to them, as a saint might
hug his cross or an anchorite his hair-shirt. They symbolized the purity
of her intentions, they were her armour of honourable woman and loyal
wife to Mortimer; her ticket-of-leave indeed, when she thought of him
and all that he implied. She put the odious and tiresome things on every
morning, as a knight endures his panoply or buckles on his shield of
proof, and honourably continued to wander about in a cold, blue, local
atmosphere of her own, aware only through her other senses of the glow
of yellow light and hope that lay outside, besieging the frigid
unreceptive discs of her self-imposed barrier in vain.
“It is hateful, but it just saves the situation,” she would say to
herself. “And it makes me free. I can say what I like and do what I
like, so long as I don’t look what I like!” But, indeed, there were
times when that last item of forbearance seemed the hardest item of all.
Public-domain text, read in full here on John Shaqi.
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