The Human Interest: A Study in IncompatibilitiesHunt, Violet
General
The Human Interest: A Study in Incompatibilities
Hunt, Violet
Man-woman relationships -- Fiction; Women -- England -- Fiction
“I admit that my instincts are unsociable,” he said, with his brush
between his teeth. “I don’t see how I am to help it. The conditions of a
landscape painter’s life make it necessarily a very solitary and inhuman
one. You see I am in the country for the greater part of the year, and I
never tell anyone where I go. I call my pictures by fanciful titles, so
as not to have to put the name of the place in the catalogues. It is
absurd, but then it happens to be the only way I can work. I generally
don’t open my lips from June to November, at least not to talk to
persons of culture! The other sort doesn’t matter.”
“Don’t you care to study people?” she said.
“It is my business to study the physiognomy of clouds, the character of
tree trunks, not faces!”
“Don’t speak so ferociously!” she said laughingly. “You mean that your
only books are--not women’s looks. It is Nature who is--your
mistress---- ”
“Yes, and a nice capricious mistress she is, and very hard her service!”
“But she never did betray the heart that loved her--we have that on good
authority!”
“Betray--no, but she does lead him a dance!” the artist exclaimed
passionately. “She rains her tears on him, she blows hurricanes on him,
she plagues him with flies, and, what is worse, wasps--she lets him
break his back, and contract his chest with stooping, the better to deal
with her. She is never the same for two minutes together. She is
exacting and exclusive. ‘Thou shalt have no other mistress but me!’ she
says. ‘You shall dance attendance on all my moods, and submit to all my
caprices, and you shall go on trying to paint the unpaintable all your
life, and die before you have succeeded in doing it!’”
The painter, having grown a little serious and excited over his own
tirade, ended it with a little laugh at himself, and she murmured with
apparent inconsequence, “Oh, I think it such a pity--such a waste!”
“What do you mean?” he asked her, negligently, and stayed not for an
answer--it was a little way he had. She would have been ashamed to admit
to him what her meaning had been; that he was still young, that he was
handsome, that, in her opinion, such a man was thrown away on the
service of Nature. She changed the conversation by offering to read him
some passages from the Newcastle paper.
He nodded in assent. She first gathered and fastened two large fern
fronds behind each ear, as a clerk his pen, to keep away the flies which
Rivers’ mistress Nature continued to send him. She felt herself already
so hideously travestied, that an added touch of grotesqueness or so did
not matter. Then she began to read aloud in her quick, impulsive way.
She had not read more than a few sentences, when she stopped suddenly.
The painter might, or might not, have been attending to her, but the
sudden cessation of her voice inevitably excited his attention.
“Well?” he asked her sharply.
Public-domain text, read in full here on John Shaqi.
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