The Humbugs of the World: An Account of Humbugs, Delusions, Impositions, Quackeries, Deceits and Deceivers Generally, in All AgesBarnum, P. T. (Phineas Taylor)
General
The Humbugs of the World: An Account of Humbugs, Delusions, Impositions, Quackeries, Deceits and Deceivers Generally, in All Ages
Barnum, P. T. (Phineas Taylor)
Impostors and imposture
If flour has been placed in their hands, it makes no difference as to
their getting those members out of or into the ropes; but, to show hands
at the aperture, or to make a noise on the musical instruments, it is
necessary that they should get the flour out of one hand into the other.
The moisture of the hand and squeezing, packs the flour into a lump,
which can be laid into the other hand and returned without losing any.
The little flour that adheres to the empty hand can be wiped off in the
pantaloons pocket. The mediums seldom if ever take flour in their hands
while they are in the bonds put upon them by the committee. The
principal part of the show is after the tying has been done in their own
way. Wm. Fay, who accompanies the Davenports, is thus fixed when the
hypothetical spirits take the coat off his back.
As I before remarked, there are several ways in which the mediums tie
themselves. They always do it, however, in such a manner that, though
the tying looks secure, they can immediately get one or both hands out.
Let committees insist upon untying the knots of the spirits, whether the
mediums are willing or not. A little critical observation will enable
them to learn the trick.
To make this subject of tying clearer, I will repeat that the Davenports
always untie themselves by using their hands; as they are able in
ninety-nine cases out of a hundred, however impossible it may seem, to
release their hands by loosening the knots next their wrists. Sometimes
they do this by twisting the rope between their wrists; sometimes it is
by keeping their muscles as tense as possible during the tying, so that
when relaxed there shall be some slack. Most "committees" know so little
about tying, that anybody, by a little pulling, slipping, and wriggling,
could slip his hands out of their knots.
A violin, bell, and tambourine, with perhaps a guitar and drum, are the
instruments used by the Davenports in the cabinet. The one who plays the
violin holds the bell in his hand with the bow. The other chap beats the
tambourine on his knee, and has a hand for something else.
The "mediums" frequently allow a person to remain with them, providing
he will let his hands be tied to their knees, the operators having
previously been tied by "the spirits." The party who ventures upon that
experiment is apt to be considerably "mussed up," as "the spirits" are
not very gentle in their manipulations.
To expose all the tricks of these impostors would require more space
than I can afford at present. They have exhibited throughout the
Northern States and the Canadas; but never succeeded very well
pecuniarily until about two years ago, when they employed an agent, who
advertised them in such a way as to attract public attention. In
September last, they went to England, where they have since created
considerable excitement.
Public-domain text, read in full here on John Shaqi.
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