The Humorous Poetry of the English Language; from Chaucer to Saxe — John Shaqi
The Humorous Poetry of the English Language; from Chaucer to Saxe
General
The Humorous Poetry of the English Language; from Chaucer to Saxe
American poetry; American wit and humor; English poetry; English wit and humor; Humorous poetry, American; Humorous poetry, English
Rose Koven, Juliet Sutherland, Charles Franks and the Online Distributed
Proofreading Team.
THE HUMOROUS POETRY OF THE ENGLISH LANGUAGE, FROM CHAUCER TO SAXE.
Narratives, Satires, Enigmas, Burlesques, Parodies, Travesties,
Epigrams, Epitaphs, Translations, Including the Most Celebrated Comic
Poems of the Anti-Jacobin, Rejected Addresses, the Ingoldsby Legends,
Blackwood's Magazine, Bentley's Miscellany, and Punch.
With More Than Two Hundred Epigrams, and the Choicest Humorous Poetry
of Wolcott, Cowper, Lamb, Thackeray, Praed, Swift, Scott, Holmes,
Aytoun, Gay, Burns, Southey, Saxe, Hood, Prior, Coleridge, Byron,
Moore, Lowell, Etc.
WITH
NOTES, EXPLANATORY AND BIOGRAPHICAL,
BY JAMES PARTON.
PREFACE.
The design of the projector of this volume was, that it should
contain the Best of the shorter humorous poems in the literatures
of England and the United States, except:
Poems so local or cotemporary in subject or allusion, as not to be
readily understood by the modern American reader;
Poems which, from the freedom of expression allowed in the healthy
ages, can not now be read aloud in a company of men and women;
Poems that have become perfectly familiar to every body, from their
incessant reproduction in school-books and newspapers; and
Poems by living American authors, who have collected their humorous
pieces from the periodicals in which most of them originally appeared,
and given them to the world in their own names.
Holmes, Saxe, and Lowell are, therefore, only REPRESENTED in this
collection. To have done more than fairly represent them, had been to
infringe rights which are doubly sacred, because they are not
protected by law. To have done less would have deprived the reader of
a most convenient means of observing that, in a kind of composition
confessed to be among the most difficult, our native wits are not
excelled by foreign.
The editor expected to be embarrassed with a profusion of material for
his purpose. But, on a survey of the poetical literature of the two
countries, it was discovered that, of really excellent humorous
poetry, of the kinds universally interesting, untainted by obscenity,
not marred by coarseness of language, nor obscured by remote allusion,
the quantity in existence is not great. It is thought that this volume
contains a very large proportion of the best pieces that haveappeared.
An unexpected feature of the book is, that there is not a line in it
by a female hand. The alleged foibles of the Fair have given occasion
to libraries of comic verse; yet, with diligent search, no humorous
poems by women have been found which are of merit sufficient to give
them claim to a place in a collection like this. That lively wit and
graceful gayety, that quick perception of the absurd, which ladies are
continually displaying in their conversation and correspondence,
never, it seems, suggest the successful epigram, or inspire happy
satirical verse.
Public-domain text, read in full here on John Shaqi.
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