The Humour of Homer and Other EssaysButler, Samuel
History
The Humour of Homer and Other Essays
Butler, Samuel
Essays; Greek wit and humor -- History and criticism; Homer -- Humor
But everything we say is metaphorical if we choose to be captious.
Scratch the simplest expressions, and you will find the metaphor.
Written words are handage, inkage and paperage; it is only by
metaphor, or substitution and transposition of ideas, that we can
call them language. They are indeed potential language, and the
symbols employed presuppose nouns, verbs, and the other parts of
speech; but for the most part it is in what we read between the
lines that the profounder meaning of any letter is conveyed. There
are words unwritten and untranslatable into any nouns that are
nevertheless felt as above, about and underneath the gross material
symbols that lie scrawled upon the paper; and the deeper the feeling
with which anything is written the more pregnant will it be of
meaning which can be conveyed securely enough, but which loses
rather than gains if it is squeezed into a sentence, and limited by
the parts of speech. The language is not in the words but in the
heart-to-heartness of the thing, which is helped by words, but is
nearer and farther than they. A correspondent wrote to me once,
many years ago, "If I could think to you without words you would
understand me better." But surely in this he was thinking to me,
and without words, and I did understand him better. . . . So it is
not by the words that I am too presumptuously venturing to speak to-
night that your opinions will be formed or modified. They will be
formed or modified, if either, by something that you will feel, but
which I have not spoken, to the full as much as by anything that I
have actually uttered. You may say that this borders on mysticism.
Perhaps it does, but there really is some mysticism in nature.
To return, however, to terra firma. I believe I am right in saying
that the essence of language lies in the intentional conveyance of
ideas from one living being to another through the instrumentality
of arbitrary tokens or symbols agreed upon and understood by both as
being associated with the particular ideas in question. The nature
of the symbol chosen is a matter of indifference; it may be anything
that appeals to human senses, and is not too hot or too heavy; the
essence of the matter lies in a mutual covenant that whatever it is
shall stand invariably for the same thing, or nearly so.
We shall see this more easily if we observe the differences between
written and spoken language. The written word "stone," and the
spoken word, are each of them symbols arrived at in the first
instance arbitrarily. They are neither of them more like the other
than they are to the idea of a stone which rises before our minds,
when we either see or hear the word, or than this idea again is like
the actual stone itself, but nevertheless the spoken symbol and the
written one each alike convey with certainty the combination of
ideas to which we have agreed to attach them.
Public-domain text, read in full here on John Shaqi.
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