“All countries are in the same condition for a man who desires to
attract to himself the attention of the authorities—_vous m’entendez_!
But that is not all! I have my personal _amour-propre_.... _Sacrebleu!_
I have my internal policy; I have my prerogatives! I wish to introduce
my view—_sapristi!_ I wish that people should act in harmony with my
views, not in contradiction to them. It is my right; if you like to put
it so, it is my caprice. You lay a responsibility on me; you demand of
me this and that ... allow me, too, to have my caprice. I hope that this
does not amount to any monstrous pretentiousness on my part?”
“But the law, monseigneur? How can you reconcile caprices with the law?”
“La loi! Parlez moi de ça! nous en avons quinze volumes, mon cher!”[33]
Here our conversation broke off. Although the administrative theory
expressed in the last exclamation of my interlocutor was quite new to
me, still I acknowledge frankly that the coolness with which he spoke of
the law pleased me. Monseigneur Maupas had often said to me, “In case of
need, _mon cher_, even the law can alter,” but he said it softly, as if
afraid that any one should hear. And now suddenly—this clearness, this
daring, this _élan_—how could one fail to be charmed by them! The
Cossacks are a bold race altogether, and inclined to see enemies where
we, people of an older civilisation, see only protection and surety.
These people are absolutely fresh, and are free from all those
prejudices which burden the life of a Western. They look upon the
so-called “moral duties” with the most easy-going cheerfulness, but, on
the other hand, no one can compare with them in matters of physical
exertion; and as for their activity at table, with the bottle, with
women—there they are undoubtedly the first warriors in the whole world.
I, for instance, have never once seen my amphytrion drunk, although the
quantity of liquor consumed by him before my eyes is, indeed, hardly
credible. Never once did he lay down his arms before the enemy, and all
the effect that wine ever produced on him consisted in a change of
colour and a certain extra animation in romancing.
[Illustration:
“I CANNOT REMEMBER HOW THE CEREMONY WAS PERFORMED.”
]
Public-domain text, read in full here on John Shaqi.
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