jump out, protrude again a little, and sucked him back into its throat
to the waist. Again it let him protrude, and gulped him down once more.
In this manner Ivan Matvyèich was visibly disappearing before our eyes.
At last, with a final gulp, the crocodile drew into itself the whole of
my learned friend, leaving nothing behind. On the surface of the
crocodile one could see how Ivan Matvyèich, in his uniform, completely
passed down its inside. I was just going to cry out again, when suddenly
cruel fate played another jest upon us. The crocodile swelled itself out
(probably half stifled by the enormous size of the mouthful), once more
opened its fearful jaws, and for the last time the head of Ivan
Matvyèich, with a despairing expression on the face, was suddenly
protruded from them. At that instant the spectacles dropped off his nose
into the bottom of the tank. It seemed as if this despairing head
appeared only in order to cast one last glance upon everything, and take
a mute farewell of all the pleasures of this world. But it had no time
to carry out its intention; the crocodile once more gathered up its
powers, gulped, and in a moment the head vanished, and this time for
ever. This appearance and disappearance of a living human head was so
dreadful, but at the same time, whether from the rapidity and
unexpectedness of the event, or whether from the dropping of the
spectacles from the nose, so funny, that I suddenly burst into a quite
unexpected fit of laughter; but realising that for me, in my quality of
family friend, to laugh at such a moment was improper, I instantly
turned to Elyòna Ivànovna, and said to her with a look of sympathy—
“It’s all up now with Ivan Matvyèich!”
I cannot even attempt to describe the agitation of Elyòna Ivànovna
during the whole process. After her first cry she stood for some time as
petrified, and stared at the scene before her, as if indifferently,
though her eyes were starting out of her head; then she suddenly burst
into a piercing shriek. I caught her by the hands. At this moment the
keeper, who until now had also stood petrified with horror, clasped his
hands and raising his eyes to heaven, cried aloud—
“Oh, my crocodile! oh, mein allerliebster Karlchen! Mutter! Mutter!
Mutter!”
At this cry the back door opened, and “Mutter,” a red-cheeked, untidy,
elderly woman in a cap, rushed with a yell towards her son.
There began an awful row. Elyòna Ivànovna, beside herself, reiterated
one single phrase: “Cut it! Cut it!” and rushed from the keeper to the
“Mutter” and back to the keeper, imploring them (evidently in a fit of
frenzy) to “cut” something or some one for some reason. Neither the
keeper nor “Mutter” took any notice of either of us; they were hanging
over the tank and shrieking like stuck pigs.
“He is gone dead; he vill sogleich burst, because he von ganz Tchinovnik
eat up haf!” cried the keeper.
“Unser Karlchen, unser allerliebster Karlchen wird sterben!” wailed the
mother.
Public-domain text, read in full here on John Shaqi.
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