The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
In the crowded, unbeautiful part of the city were two streets forming
as if the two long legs of the A we knew as children, the A with feet
wide apart, that stood for Ape. A third street went from one to the
other, as the little bar does across the A, but crooked, as a child's
hand would draw it. This street was narrow, gloomy, and relatively
quiet. The tide of traffic kept to the larger streets; the small street
knew, beyond the occupants of its own houses and visitors to these, few
but hurried foot-travellers who used it as a short cut, and people of
inferior pretensions coming there to trade. The ground-story of almost
every house was a shop; a person might have spent a life without real
necessity for leaving the street. Here boots were made and mended; in
the next door, clothes were sold (the dim show-windows were full of
decent dresses, very good still for what you paid; you could be fitted
even with a ball-dress, all beads and satin bows), yonder you could
get money on deposit of your watch, or your flute, or your ear-drops;
farther you could have yourself shaved. There was a window full of
tarts and loaves; another window in which a roast fowl set its gold
note, as some would say, between the pink note of half a ham and the
coral note of a lobster.
Across a certain one of the windows in that street for a long time had
hung from a line, as from the belt of a savage, tails of hair--black,
brown, blond. Below these, two featureless wax faces presented their
sallow blankness to the passer, one wreathed with yellow curls, the
other capped with brown waves of a regular pattern. Ordered around the
twin turned-ebony stands were hairpins, sticks of cosmetic wrapped
in silver paper, slabs of chalk laid on pink cotton, china pots with
pictures of flowers or beauties and pleasing inscriptions in French,
fuzzy white balls of down, combs, gilt-brass ornaments, kid-capped
phials containing amber and ruby liquids. On the inside of the heavy
shutter, caught back against the street-wall by day, was pasted a
large print. This told you in what a prodigious way Madame Finibald's
Gold Elixir would make your hair grow, and showed you the picture of a
lady who doubtless had used it--her hair was extraordinary, it nearly
reached to her feet.
Public-domain text, read in full here on John Shaqi.
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