The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
Now was he no longer made lonesome by every coquettish touch the more
that the year put to her toilet. For the girl of the regal hair
smiled to him, surreptitiously with her lips, but unguardedly with her
eyes, when he came by her glass-case; while he dawdled in the window
opposite, she communicated with him by signs no other eye could have
perceived. Even before their acquaintance had become very old, she
slipped out to walk in the garden, and they sat on the green seats and
had long, foolish, youthful talks--delightful, foolish, youthful times.
Her conversation took an amusing interest from the peculiarities of
her education. She had seen and heard much in her short life in a hard
world, where it was no one's affair to keep anything from her young
ken--much of dark, and petty, and unpicturesque--preserving through
all a sort of hardy innocence; and she had borrowed from a cheap
circulating library a vast lot of fiction dealing with the supremely
grand. Her preference in literature, however, had remained for fairy
tales, a taste formed when it had been one of her duties to read aloud
to certain little children of the rich. She knew them by the score. It
was to this, perhaps, some of her remarks owed the fanciful touch that
redeemed them from the commonness of her general conversation--a genial
commonness, condoned to such young lips. She had a childish way of
lending a personality to everything, that amused him more than epigram
would have done. She ascribed intention to the wind that blew off her
hat, and stopped to express her mind to it. She assumed consciousness
in the bench they sat on; she wanted to take the same one, lest it
should think they slighted it because it was rickety, for which it
was not to blame. Every flower was to her a person. "Hush! They are
listening!" she said, looking from the corner of her eye at a bank of
knowing pansies. She scolded a button for coming off, as if the want
of principle shown by it had been a thing to revolt her. She stood in
a one-sided relation of good-fellowship with the brown birds hopping
among the gravel, and the fishes in the pond; she spared them many
crumbs. With homely good-heartedness she took into an amused regard all
the family of spring--buds, blades, insects--addressing speech to them
as if she had been a giant and they a very little people.
Never can spring return without Fraisier's remembering that spring.
It was bright; by it all the springs following have been cast in the
shadow.
Public-domain text, read in full here on John Shaqi.
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