The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
"Oh, I am so sorry you do not happen to know. It is a great musician,
and I feel much gratitude towards him. I was becoming nervous with
lying awake--I was on the point of calling my poor cousin--when some
one began playing on the piano in the room above me. Sweetly, very
sweetly. I could hear it just distinctly enough. It was a joy. I lay
awake, but it soothed me more than sleep."
"I seem to remember that there is a music-master living in the house,"
said the doctor. "I will beg the _padrona_ to speak to him. He should
not play in the night."
"Not at all," exclaimed Paula, with a warmth he could not expect.
"Please, I want him to play. I shall be grieved if you say anything to
prevent him. It does not keep me awake. If I were sleepy I could not
hear it."
The doctor prolonged his visit far into the forenoon. At the first
movement he made to go, Paula said, pleadingly: "Oh, not yet. I
entertain myself so willingly with you!" And he stayed.
He was interested, in the woman as well as in the case. She was
different from his other aristocratic patients. She was of a type new
to him; without appearing to, he studied her face as she spoke, and
from it, and from frequent allusions she dropped, he built up a theory
of her past.
He divined that she was older than she looked. It was, he resolved,
the childlike glance and smile, the voice as of shyness overcome, her
artlessness, her continually outcropping ignorance of the world, her
immature mind perhaps, that gave the impression of youthfulness one at
first received from her. If one looked well, she had even already a
sad little beginning of faded appearance. Her face was a trifle broad,
and the high cheek-bones were commencing slightly to accuse themselves,
as they say in French. The charm of her countenance, to such as felt
it, lay in her eyes: they were unsophisticated, hopeful, interested,
idealizing eyes. Vanity, it must be pityingly related, had taught her
nothing. Her blond hair, dull and fine and soft--a large treasure
that would have made the boast of many another woman--was drawn away
rigorously from her forehead, braided, and wound compactly against the
back of her head, like a school-girl's.
He noticed with amused wonder how unpretending--nay, provincial,
homely, for persons of rank and fortune--was the _mise_ of the two
women. Fashion by them was misconstrued, or else despised. He did
not incline to the latter interpretation of their plainness; he
rather laid to a touching innocence of the mode's dictates Mamsell
Veronika's pelerine and the black lace tabs on the sides of her head;
the antiquated cut of Paula's deep violet gown, the little black silk
mitts that covered her pale pretty hands to the point where her rings
began. These were numerous rather than rich, and gave the impression
of being heirlooms--things worn for a memory: brilliants mounted in
darkening silver, enamels, carnelians; one showed a pale gleam of human
hair.
Public-domain text, read in full here on John Shaqi.
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