The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
In the gayest mood next day she showed the doctor a little package of
letters to different persons in the city, but said that she was not
ready yet to let these distinguished ones know of her arrival; she must
first attend to various important things. He derived from her words
that she wished to make her establishment more elegant, and became
gruff and severe when she asked him to procure for her the address of
the most fashionable mantua--maker. She almost cried when he forbade
the expense of any precious energy on worldly vanities, but was half
consoled by his promise soon to make her well enough to employ a master
in the art of playing the guitar.
He prescribed a daily drive in the sunniest hour. Paula came back from
her first excursion with flushed cheeks. Veronika grumbled: "I will
tell the doctor, and he will forbid your going out at all. It is not to
kneel in damp churches will help you. You might as well take up your
abode in the cellar."
"Don't scold me," said Paula, gently. "I had to thank God."
Towards sunset she seated herself on the balcony wrapped in fleecy
white, and looked down the street towards the Jeweller's Bridge. She
saw Prospero come. But he did not look up. That night again she heard
him play.
Many times she sat on the balcony and saw Prospero coming. Sometimes he
looked up, but oftener he passed into the house unaware of a Countess
gazing after him from above.
Some nights he did not play; those were restless, disappointed nights
for her.
Once or twice she met him on the stairs as she was going to her
carriage; he glanced at her with an unimpressed eye, then looked
elsewhere, standing against the wall, hat in hand.
Occasionally she saw him in the street, but he seemed never to see her.
A vague heartache grew out of those occasions.
The Italian spring deepened in warmth and color; the air had a
fragrance, some days, as of lilacs; other days, more penetrating, as of
hyacinths. The little hills in the midst of which Florence lies took
on dewy morning hues of the opal, changing evening tints of the dark
dove's neck. The pure noon light made the statues in the King's Garden,
where Paula walked sometimes, look dazzlingly white against the sombre
walls of clipped laurel. The open country now was full of blossoming
fruit trees; Paula often begged Veronika to alight from the carriage
and gather for her the flowers she saw shining in the grass--primroses
and violets, tulips, narcissi, fleurs-de-lis. She brought home immense
nosegays, which she spent long minutes breathing; this perfume of Italy
went to her brain.
Public-domain text, read in full here on John Shaqi.
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