The Hundred, and Other StoriesBrownell, Gertrude Hall
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The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
The cares were many, but pleasant in their nature. Gregory was
steadily, lazily kind, the children were healthy, she herself was in
the beautiful full bloom of life--she found it good. She had almost
forgotten the bitter taste of her beginnings, when one night, startled
from a deep sleep, she lay in the dark awhile and wondered that she
should dream so clearly of hearing the long, low wail of a violin.
It had recreated about her in an instant the atmosphere of old days.
She lay as she had lain often enough, with lead upon her heart, a
dead sense of there being no escape in view from this slavery, this
poverty, this succession of weary travel and third-rate inns, this
nerve-racking sound of the violin penetrating through the brain as a
red-hot needle--no release from this unrelenting master, this terrible
added burden of baby. She shook herself free from what she thought the
remaining effect of a nightmare; she had seemed for a moment to smell
the very essence her first husband used on his hair, mixed with the
flat odor of the small Dutch inn-chamber in which Dorastus was born.
She turned over on her side to sleep again, when she became assured
that she heard a violin. She listened through her thick heart-beats,
a thrill of superstitious horror stiffening her skin. She knew it
unreasonable, but could not dispel her fear. She rose sitting in bed,
becoming at last fully awake. Still she heard the violin, sounding
faintly, as if from some distant part of the house. Then she thought.
It had been these long years in the garret, the treasured Amati he had
made her swear to keep for his child. The child had found it.
She could not fall to sleep again, she must satisfy herself.
She slipped her feet into their shoes, got her dressing-gown about her,
and crept through the shadowy corridor, up the stair, to where Dorastus
slept. Since he would be the master, whoever shared his room, which
was obviously unfair to his room-mate, he had been allotted a little
chamber by himself in a somewhat remote part of the house.
As she approached it, the sound of the violin came more and more clear
to her. She stopped and leaned against the balusters, yielding to a
soul-sickness that had its rise in she scarce knew which, memory or
foreboding. She listened curiously. It was strange playing, though
simple, subdued to not wound the night silence; unordinary as it was,
there was nothing tentative about it, the hands seemed going to it
with a fine boldness, a delicate natural skill. The mother felt not a
moment's joy.
She came to the door, opened it noiselessly, and stood in the doorway
with her candle shining upward in her wide eyes, her solemn face.
Dorastus stopped playing, and said, with a gleeful, short laugh, "I
knew it would make you come!"
Public-domain text, read in full here on John Shaqi.
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