The Hundred, and Other StoriesBrownell, Gertrude Hall
General
The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
"Do you mind? I am so sorry. They asked me to come, and I half
promised. It is likely to be somewhat slow for them here if we stand on
ceremony. You will like them, I am sure."
"You are sure? No doubt I shall. But to-night seems
rather--instantaneous, if you don't mind. You will excuse me to them,
and I will wait till they get a little more settled."
"Settled! They have brought down an army of servants. The house looks
as if they had lived in it for a month."
"Make what excuse for me you please, then."
"You won't come, Chloris?"
"I think not. Not this evening. Go by yourself, and tell me all the
great changes to-morrow. She will be much better pleased to see you
than me, anyway."
"Why do you say that?"
"Her face, my dear boy! She can't play the piano, to speak of, and she
greatly prefers men to women."
"Perhaps you do her an injustice--"
"Have I said anything disparaging? I signalled two virtues, I think.
You don't really mind my not going, Damon? I had intended to write
letters this evening, and mend table-cloths and read to father."
When, shortly after tea, Damon had gone, Chloris tried to return
herself into a truthful person by reading an hour to her father,
and adding a dozen stitches to a delicate darn, and writing a note,
which, when finished, she tore up. In order, as far as possible, with
her conscience, she seated herself at the piano, a poor, tin-voiced
instrument, tired of the sea-air. No one so well as Chloris, accustomed
to its senile vagaries, could make the worn thing discourse music; her
greatest successes on it were old-time compositions written in the day
of spinet and harpsichord, minuets with a sprinkling of grace-notes,
things not sonorous or profound. To-night, playing for no one's praise,
she plunged haphazard into the melodies most sympathetic at the
moment, stormy and subtle, melancholy and intricate and modern. It was
Chloris's one proud gift, this effectiveness at the piano.
Her father and his elderly sisters took themselves off to bed on the
stroke of ten. Chloris remained on the adjustable stool, relieved at
their going. She took up her playing again, without trying now to keep
her eyes dry.
Public-domain text, read in full here on John Shaqi.
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