The Hundred, and Other StoriesBrownell, Gertrude Hall
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The Hundred, and Other Stories
Brownell, Gertrude Hall
American fiction -- 19th century; Short stories, American
The sweet, hot air of the day, cooling, was turned to dew outside;
something of the same kind seemed taking place within herself--and
the dew was tears. Why had she been so curiously uplifted that day,
so at rest concerning every point in life, so sure of one thing at
least? Nothing was changed, yet she saw no reason now for blessing
this summer, golden hour for hour, and looking to it for the greatest,
serenest happiness. Damon? What was Damon to her, or she to Damon? He
had never in so many words made love to her, and she had never felt
the first pang of wonder or disappointment at this. They had walked,
rowed, ridden together. What of it? They should do these things again
a hundred times, probably. What of that? What had she been dreaming,
erewhile? Or was this the dream, this bad one? Something splendid and
shining and purple had gone gray.
While continuing mechanically to play, she looked through the open
window into the summer night. It was rightfully her moon, that honeyed
bright moon outside; her balm-breathing night; it was her silver sea
yonder out of sight; they were her odorous pine-needle paths in the
sighing grove--and she was robbed of them. And the sense of it gave
her a seething in the heart, the like of which sensation she had never
dreamed existed: as if a painful separation of all the atoms in it one
from the other, as well as the stern conviction of being--oh, the novel
idea!--a fool.
"I won't have it!" she muttered, emphatically, without knowing
definitely what she meant, and struck an angry discord.
Through her playing reached her suddenly that merry harness-jingle of
the afternoon, approaching, passing, fading away.
"There they go--to the beach for the second time to-day--to look at the
ocean by light of the moon."
When in little less than an hour she heard the breaking again, on the
quiet air, of the fatuous silvery jingle, she let her playing fall to a
mere musical murmur, and listened, acutely, burning all the while with
shame.
"Go slowly, Humphrey," she caught, in a rich, sweet voice; "I want to
listen to the music."
"She plays really wonderfully. I have never heard playing I preferred
to hers," came in a well-known deeper voice, at which Chloris's cheeks
waxed hotter still. She pressed her foot on the pedal and shut herself
within a wall of dinning, buzzing sound.
When she had lifted it, and risen, the road was empty, the night
silent, but for the crickets and the distant surf, as the grave.
* * * * *
Public-domain text, read in full here on John Shaqi.
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