In conclusion, my very warmest thanks are due to Messrs. Macmillan &
Co., Ltd., for permission to include Tennyson's "Crossing the Bar"; to
Mr. D. Nutt for permission to insert W. E. Henley's "To R. T. H. B."
and "Margaritae Sorori"; to Messrs. Smith, Elder & Co. for a like
privilege in regard to Browning's "Epilogue," and to Mr. Lloyd
Osbourne and Messrs. Chatto & Windus for permission to reproduce
Stevenson's "Requiem." Without these poems the volume would have had a
much smaller claim to its title than it does possess, slight as that
may be. My thanks are also due to the following gentlemen who have
kindly allowed me to reproduce copyright texts of non-copyright poems
from editions published by them: Messrs. Bickers & Son (Ben Jonson),
Messrs. Chapman & Hall, Ltd. (Landor), Messrs. Chatto & Windus
(Herrick), Mr. Buxton Forman (Keats and Shelley), Mr. Henry Frowde
(Wordsworth), Mr. Alex. Gardner and the Rev. George Henderson, B.D.
(Lady Nairne), Messrs. T. C. & E. C. Jack (Burns), Messrs. Macmillan &
Co., Ltd. (Clough and Tennyson), Mr. John Murray (Byron), Messrs.
Smith, Elder & Co. (Browning), Messrs. Ward, Lock & Co., Ltd.
(Coleridge and Hood).
A. L. G.
CONTENTS.
PAGE
ANONYMOUS.
1. Madrigal 1
ARNOLD (1822-1888).
2. The Forsaken Merman 2
BARBAULD (1743-1825).
3. Life 10
BROWNING (1812-1889).
4. Song from "Pippa Passes" 12
5. Song from "Pippa Passes" 12
6. The Lost Mistress 13
7. Home-Thoughts, from the Sea 14
8. Epilogue 15
BURNS (1759-1796).
9. The Silver Tassie 17
10. Of a' the Airts 18
11. John Anderson my Jo 19
12. Ae Fond Kiss 20
13. Ye Flowery Banks 21
14. A Red, Red Rose 22
15. Mary Morison 24
BYRON (1788-1824).
16. She Walks in Beauty 26
17. Oh! Snatched Away in Beauty's Bloom 27
18. Song from "The Corsair" 28
19. Song from "Don Juan" 29
CAMPBELL (1777-1844).
20. Hohenlinden 35
CLOUGH (1819-1861).
21. Say not the Struggle Nought Availeth 37
COLERIDGE (1772-1834).
22. Youth and Age 38
COLLINS (1721-1759).
23. Written in the Year 1746 41
COWPER (1731-1800).
24. To a Young Lady 42
Public-domain text, read in full here on John Shaqi.
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