Nine months elapse, during which a task is performed wherein all is
mystery. I skip this period, filled with the dead secret of the
transformation, and, to come to the nymph, pass at once from the end of
September to the first days of the following June. The larva has cast
its withered slough; the nymph, that transitory organism, or rather
that perfect insect in swaddling-bands, motionlessly awaits the
awakening which will not take place for another month to come. The
legs, the antennæ, the exposed mouth-parts and the wing-stumps have the
appearance of clearest crystal and lie evenly spread under the thorax
and the abdomen. The rest of the body is an opaque white, very faintly
smeared with yellow. The middle four segments of the abdomen carry a
narrow and blunt extension on either side. The last segment,
terminating above in a blade-like expansion shaped like the sector of a
circle, is equipped below with two conical protuberances set side by
side: this makes in all eleven appendages studding the outline of the
abdomen. Such is the delicate creature which, to become a Sphex, must
don a motley livery of black and red and throw off the fine skin in
which it is closely swathed.
I was curious to follow from day to day the appearance and the progress
of the nymph’s colouring and to test whether the light of the sun, that
rich palette whence nature derives her colours, could influence that
progress. With this object, I took pupæ from their cocoons and put them
in glass tubes, of which some, kept in complete darkness, realized the
natural conditions of the nymphs and served me as a standard of
comparison, while the others, hung against a white wall, received a
strong diffused light throughout the day. Under these diametrically
opposed conditions, the evolution of the colours remained absolutely
uniform in both cases, or, if there were some slight discrepancies,
these were to the disadvantage of the pupæ exposed to the light. It is,
therefore, exactly the reverse of what happens in the case of plants:
light does not affect the colouring of insects, does not even
accelerate the process; and this must be so, because, in the species
which are the most brilliant in colouring, the Buprestes and
Ground-beetles, for instance, the wondrous hues which one would imagine
to be stolen from a sunbeam are really elaborated in the dusky bowels
of the earth or deep down in the decaying trunk of some venerable tree.
Public-domain text, read in full here on John Shaqi.
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