The Husband's Story: A NovelPhillips, David Graham
General
The Husband's Story: A Novel
Phillips, David Graham
Husband and wife -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
Well, they had it. She certainly was a lovely girl, far too lovely
to be spoiled by work. And if ever there was a scratch or a stain on
those beautiful white hands of hers, it assuredly was not made by toil.
She took music lessons-- Music lessons! How much of the ridiculous,
pathetic gropings after culture is packed into those two words. Beyond
question, everyone ought to know something about music; we should all
know something about everything, especially about the things that
peculiarly stand for civilization--science and art, literature and
the drama. But how foolishly we are set at it! Instead of learning to
understand and to appreciate music, we are taught to “beat the box” in
a feeble, clumsy fashion, or to screech or whine when we have no voice
worth the price of a single lesson. Edna took I don’t know how many
lessons a week for I don’t know how many years. She learned nothing
about music. She merely learned to strum on the piano. But, after all,
the lessons attained their real object. They made Edna’s parents and
Edna herself and all the neighbors feel that she was indeed a lady.
She could not sew. She could not cook. She hadn’t any knowledge worth
mention of any practical thing--therefore, had no knowledge at all;
for, unless knowledge is firmly based upon and in the practical, it is
not knowledge but that worst form of ignorance, misinformation. She
didn’t know a thing that would help her as woman, wife, or mother. But
she could play the piano!
Some day some one will write something true on the subject of
education. You remember the story of the girl from Lapland who applied
for a place as servant in New York, and when they asked her what she
could do, she said, “I can milk the reindeer.”
I never hear the word education that I don’t think of that girl.
One half of the time spent at school, to estimate moderately, and
nine tenths of the time spent in college class rooms is given to
things about as valuable to a citizen of this world as the Lap girl’s
“education” to a New York domestic. If anyone tells you that those
valueless things are culture, tell him that only an ignorance still
becalmed in the dense mediæval fog would talk such twaddle; tell him
that science has taught us what common sense has always shown, that
there is no beauty divorced from use, that beauty is simply the
perfect adaptation of the thing to be used to the purpose for which it
is to be used. I am a business man, not a smug, shallow-pated failure
teaching in an antiquated college. I abhor the word culture, as I abhor
the word gentleman or the word lady, because of the company into which
it has fallen. So, while I eagerly disclaim any taint of “culture,” I
insist that I know what I’m talking about when I talk of education. And
if I had not been too good-natured, my girl-- But I must keep to the
story. “Gentle reader” wants a story; he--or she--does not want to try
to think.
Public-domain text, read in full here on John Shaqi.
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