The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writersGregory, Arthur E. (Arthur Edwin)
Religion
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Gregory, Arthur E. (Arthur Edwin)
Hymn writers; Hymns, English -- History and criticism
The hymn-book of the modern Church is the direct descendant of the
Hebrew Psalter. Had David and Asaph never sung, the hymns of Watts and
Wesley, of Keble and Montgomery, could hardly have been written. If
the praises of Israel had not rung through the courts of the Temple,
the choir of the Christian Church would have been silent. Primitive
Christianity struggled hard to free itself from the swathing-bands of
Jewish ritual; but it recognized from the first the riches of its
inheritance in the Book of Psalms. There, more than in any other
Scripture, the first Christians heard ‘the voice of Christ and His
Church.’[32] Our Lord Himself joined in singing these ancient hymns,
and bade His disciples understand that all things must needs be
fulfilled which ‘were written in the ... psalms’ concerning Him. St.
Paul and St. James alike commend the singing of psalms, and thus,
without controversy, the Psalter was claimed by the Church as her own.
The determination to hear the voice of Christ everywhere, led to
extravagances of exposition which a more critical age cannot tolerate,
but it gave the psalms a firm hold upon the heart of Christendom. The
ancient Scriptures would have passed away with the ‘worldly sanctuary’
had it not been for the witness of the priest, the prophet, and the
psalmist to Christ.
Religious poetry and song must long have preceded any collection of
psalms or hymns. One would like to know who first, in the far-off
days, said to his brother, ‘O come, let us sing unto the Lord’; but
that unknown poet or musician had been famous and forgotten before
history was born. The first Hebrew psalm is the Song of Moses at the
Red Sea, the earliest of the triumph songs of the people of God, the
hymns which celebrate Jehovah, who ever showeth Himself ‘a God of
deliverances.’[33] Sung first to ‘the loud timbrel by Egypt’s dark
sea,’ it becomes in the Apocalypse the Song of Moses and of the Lamb,
chanted to the harps of God by the glassy sea mingled with fire. At
the first the singers are the congregation, not yet a people, whom
Moses brought out of Egypt in haste; at the last they are the
white-robed army of them that have gotten the victory through the
blood of the Lamb.
I will sing unto the Lord, for He hath triumphed gloriously:
The horse and his rider hath He thrown into the sea.
The Lord is my strength and song,
And He is become my salvation:
This is my God, and I will praise Him;
My father’s God, and I will exalt Him.
Who is like unto Thee, O Lord, among the gods?
Who is like Thee, glorious in holiness,
Fearful in praises, doing wonders?
Thou shalt bring them in, and plant them in the mountain of Thine
inheritance,
The place, O Lord, which Thou hast made for Thee to dwell in,
The sanctuary, O Lord, which Thy hands have established.
The Lord shall reign for ever and ever.[34]
Public-domain text, read in full here on John Shaqi.
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