The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers — John Shaqi
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writersGregory, Arthur E. (Arthur Edwin)
Religion
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Gregory, Arthur E. (Arthur Edwin)
Hymn writers; Hymns, English -- History and criticism
Rivers, yea, though rivers roar,
Roaring though sea-billows rise;
Vex the deep, and break the shore,
Stronger art Thou, Lord of skies.
Firm and true Thy promise lies
Now and still as heretofore:
Holy worship never dies
In Thy house where we adore.
George Sandys (1577-1643) was a true poet. Dryden called him ‘the best
versifier of the former age,’ and Richard Baxter said, ‘I must confess
after all that, next the Scripture poems, there are none so savoury to
me as Mr. George Herbert’s and Mr. George Sandys’s.’ Charles the First
comforted himself with Sandys’s psalms during his imprisonment at
Carisbrooke.
He is even yet little known to our hymn-books, though a few of his
psalms make, with a little adaptation, good hymns. The _Methodist
Hymn-book_ contains two—
Thou who art enthroned above[64] (Ps. xcii.).
Ye who dwell above the skies (Ps. cxlviii.).
His version of Ps. lxvi. also has some good lines. It begins—
Happy sons of Israel,
Who in pleasant Canaan dwell:
Fill the air with shouts of joy,
Shouts redoubled from the sky.
Sing the great Jehovah’s praise,
Trophies to His glory raise.
These quotations must suffice for the psalms of the period between the
Old and New Versions. Those who are interested in this not very
attractive literature will find specimens of the principal British and
American writers in Holland’s _Psalmists of Britain_ (1843), and
Glass’s _Story of the Psalters_ (1888). When one looks at the two
authorized metrical versions, and the many attempts made to supplant
them, it is difficult to understand how the Church could so long have
clung to the metrical Psalter, and could be so slow to use a
hymn-book. Keble says of his own version—‘It was undertaken, in the
first instance, with a serious apprehension, which has since grown
into a full conviction, that the thing attempted is, strictly
speaking, _impossible_.’ Yet scores have made the same fruitless
effort since Keble failed.
Apart from the psalm-versions there are few hymns of the sixteenth
century. George Gascoigne (d. 1577), a lawyer, poet, and courtier of
Elizabeth’s day, and a descendant of Sir William Gascoigne, the judge
who committed Henry V, when Prince of Wales, to prison, wrote a poem
entitled ‘Good Morrow,’ from which a good hymn has been made, which is
in many of the better school hymnals.
You that have spent the silent night
In sleep and quiet rest,
And joy to see the cheerful light
That riseth in the East;
Now clear your voice, now cheer your heart,
Come help me now to sing;
Each willing wight come bear a part,
To praise the heavenly King.
Yet as this deadly night did last
But for a little space,
And heavenly day, now night is past,
Doth show his pleasant face:
So must we hope to see God’s face
At last in heaven on high,
When we have changed this mortal place
For Immortality.
Public-domain text, read in full here on John Shaqi.
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