The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writersGregory, Arthur E. (Arthur Edwin)
Religion
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Gregory, Arthur E. (Arthur Edwin)
Hymn writers; Hymns, English -- History and criticism
Thy wales are made of precious stones,
Thy bulwarkes diamondes square,
Thy gates are of right orient pearle,
Exceeding riche and rare.
Thy terrettes and thy pinnacles
With carbuncles doe shine,
Thy verie streetes are paued with gould,
Surpassinge cleare and fine.
Thy houses are of ivorie,
Thy windoes cristale cleare,
Thy tyles are mad of beaten gould,
O God that I were there.
There David standes with harpe in hand,
As maister of the queere,
Tenne thousand times that man were blest
That might this musicke hear.
Our Ladie singes magnificat
With tune surpassinge sweete,
And all the virgins beare their parts
Sitinge aboue her feete.
Te Deum doth Sant Ambrose singe,
Sant Augustine dothe the like;
Ould Simeon and Zacharie
Haue not their songes to seeke.
There Magdalene hath left her mone,
And cheerefullie doth singe,
With blessed Saints whose harmonie
In everie streete doth ringe.
Hierusalem, my happie home,
Would God I were in thee,
Would God my woes were at an end,
Thy ioyes that I might see.
Finis. Finis.[68]
III
Early Modern Hymns
II.—Seventeenth Century
When the seventeenth century opened there were, as we have seen,
hardly any English hymns except such as may be taken from metrical
versions of the Psalms. With the new century a new era begins; and
though we are not yet in what George Macdonald calls ‘the zone of
hymn-writing,’ we are soon able to gather the materials of a hymn-book
of the modern type. It would be quite possible to compile a very good
hymnal from writers who preceded Dr. Watts, if a wise editorial
discretion were exercised in the omission of unsuitable verses and the
revision of phrases offensive to modern taste.
Amongst the hymn-writers of the seventeenth century one name is
pre-eminent—Thomas Ken (1637-1711), Bishop of Bath and Wells. His fame
rests upon his three great hymns—Morning, Evening, and Midnight—for
little else in his voluminous poetical works is suited to the worship
of the sanctuary. In all the Christian choir there is no worthier name
than that of Thomas Ken, whom neither fear nor flattery could move
from the strait path of duty. He lived in the spirit of his own lines—
Let all thy converse be sincere,
Thy conscience as the noonday clear;
Think how all-seeing God thy ways,
And all thy secret thoughts surveys.
He spent his earlier years of ministry in quiet places, amongst those
who honoured and loved him, but later had some curious experiences as
Lord Dartmouth’s chaplain at Tangier, where he testified with his
accustomed resolution against evil-doers and evil-speakers, coming, as
Samuel Pepys records, into collision with the afterwards infamous
Colonel Kirke, because he preached against ‘the excessive liberty of
swearing which we observe here.’
Public-domain text, read in full here on John Shaqi.
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