The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writersGregory, Arthur E. (Arthur Edwin)
Religion
The Hymn-Book of the Modern Church: Brief studies of hymns and hymn-writers
Gregory, Arthur E. (Arthur Edwin)
Hymn writers; Hymns, English -- History and criticism
Montgomery wrote of Ken’s three hymns that, ‘had he endowed three
hospitals, he might have been less a benefactor to posterity.’[74] The
importance of his hymns as setting a standard of simplicity and
directness can hardly be overstated. Yet it is curious how slowly they
won general acceptance. They were not printed in the supplement to the
Book of Common Prayer till 1801, and though John Wesley included them
in his _Psalms and Hymns_, 1738, he omitted them from his later
publications and from his hymn-book. Dean Plumptre, however, says that
both the hymns had appeared in some of the earlier collections of
hymns for congregational use by English clergymen between 1750 and
1760. The three hymns are given in the _Moravian Hymn-book_ of 1754.
After Ken the seventeenth century had no sweeter hymn-writer than John
Austin (1613-69), who left St. John’s College, Cambridge, in 1640, on
becoming a Romanist. He wrote two volumes of _Devotions in the Ancient
Way of Offices_. These were ‘a family piece among Catholics,’ and were
much used by devout Protestants. The nonjuring Bishop Hickes edited
them for Protestant use, and John Wesley included seven of the hymns
in his Charlestown hymn-book—a larger number than by any other author
except Watts. Austin did not complete his work. ‘Death, for which he
had fitted his soul by a well-spent life, interrupted his labours....
When he perceived death immediately seizing its prey, he gave up the
ghost with these remarkable words: ... “Now, heartily for heaven,
through Jesus Christ!”’[75]
Austin’s hymns are used chiefly outside his own communion,[76] though
Romanism has no English hymn-writer to compare with him till the time
of Faber. In the _Arundel Hymns_ his verses are attributed to W.
Austin (a Protestant contemporary). The following hymn illustrates the
similarity of Austin and Faber’s writing. Few readers would guess that
one of these four verses was written two centuries after the others.
FROM DEATH TO LIFE
Jesu! all hail. Who for my sin
Didst die, and by that death didst win
Eternal life for me;
Send me Thy grace, good Lord! that I
Unto the world and flesh may die,
And hide my life with Thee.
Jesu! who on that fatal wood
Poured forth Thy life’s last drop of blood,
Nailed to a shameful cross;
O may we bless Thy love, and be
Ready, dear Lord, to bear for Thee
All grief, all pain, all loss.
Jesu! who by Thine own love slain,
By Thine own power took’st life again,
And from the grave didst rise;
O may Thy death our souls revive,
And at our death a new life give,
The life that never dies.
Jesu! who to Thy heaven again
Returned in triumph, there to reign
Of men and angels King;
O may our parting souls take flight
Up to that land of joy and light,
And there for ever sing.[77]
Public-domain text, read in full here on John Shaqi.
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