"How badly brought up you must have been," he said to him.
"Why, what makes you think so?"
"You vibrate so quickly to my views, and I am not considered orthodox."
"Well, I was not so much badly brought up, as left to myself. My
father's pedigree claimed a larger share of his attention than his
progeny. I was an accident in the domestic arrangements."
"He must be a strange person."
"He is. I always suspect my predisposition to shady pleasures is
hereditary, although he is a parson."
"It's quite often the case that a repentant rake takes Orders from a
mere revulsion to asceticism. And your mother?"
"A nonentity with most seductive hair."
While talking, they had arrived at the Park, and were turning home to
the hotel in the fresh night air. Gobion knew that he had been smart,
perhaps smarter than usual, but he did not know what impression he had
made. The stranger was a man outside his experience. Accustomed as
Gobion was, in the light of Oxford experience, to feel that _he_ was the
cynic and man of the world, he was somewhat doubtful of a man who
appeared to him to be a realization of what he might himself become.
Cynicism, he thought, is now my plaything; it is this man's master, and
he has lost the savours of life. I wonder if Father Gray was right. He
often said that up to thirty a man might be happy with no moral sense;
but after----
He saw dimly a foreshortened view of the future. It was on this night
that the confidence in his own ability to be happy in evil began to be a
little undermined. This chance meeting with a man weary of life, and not
interested in death, a man with an aching, futile soul, whom he never
saw again, was fraught with tremendous importance to his future career.
On this his first night in London the seeds were sown which led to the
final pose in Houndsditch.
A celebrated lady novelist (she is now in Colney Hatch, but very clever)
once said to the writer of these memoirs that literature, or rather
journalism, is little more than a big game of bluff. Her remark was
quite true. The art of the thing consists in getting the keynote of
twenty different publics, and writing on those lines for the twenty
different papers that represent their views.
This is not the way to make a reputation, but it is certainly one of the
ways in which the literary adventurer may make a certain amount of
money. Gobion knew this well. The conquest was mean and the reward not
far from meagre; but at his age and with his past he could not hope for
much more, and there was a bustling excitement in it which seemed to him
most desirable.
He could not specialize; he had no fixed opinions. It was impossible for
him to take up a decided line in his work.
Public-domain text, read in full here on John Shaqi.
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