He was a man with a keen eye for beauty, a deep appreciation of the
poetry of things, and yet for a week or two, with a strange morbid
insensibility, he revelled in the manners of the vulgarest class in
London. "Human nature is much of a muchness," he said to himself. "Why
give myself airs? I should make Lucy a capital husband; we could keep a
fried-fish shop and be happy."
This went on for three weeks; then one evening--somewhat of the
suddenest--came the reaction.
He was sitting alone on the one comfortable chair drawn up close to the
fire. The dancing flames lit up the unmade bed, the remains of a chop, a
heap of clothes scattered over a chair, and a pair of muddy boots drying
in the fender.
It was again the after-dinner hour--an hour with the monopoly of some
effects. He sat lazily smoking a pipe, half dozing, when he became
conscious of a banjo playing a comic song: "And her golden hair was
hanging down her back." Gradually the air took greater hold of him. The
distant twanging seemed fraught with an undercurrent of sadness, a
sub-tone of regret.
Gradually the sordid message dispelled lassitude, and his vivid mind
began to preen itself, waking from its long sleep. First passed away
with the swing of the first line the dull December London. His mind put
on wings, flying through confused memories to the first night of term,
the little Oxford theatre crammed with men--all the old set, Fleming,
Taylor, Robertson, Raymond, Young, "Weggie" Dibb, Scott, even Condamine.
How they had applauded and joined in the choruses! how they had cheered
the fat principal boy, how bright and _young_ it was!... Then a moment's
hush, and the sharp-strung chords, when the orchestra dashed madly into
the song, "Oh, Flo, 'twas _very_ wrong, you know!" How all the men had
roared at the girl's conscious wink. From the first he had posed, but in
those early terms he had been innocent of great wrong ... and now?...
The twang stopped with a little penultimate flourish before the final
chord. The trams in the road rattled past. Mrs. Ebbage shouted in the
kitchen, opining that her spouse must be "off 'is blooming onion"; and
outside in the passage Trot and Lucy giggled, high in the palate, hoping
he would hear and ask them to come in.... He shook violently in his
chair. To his excited imagination it seemed as if strange lights passed
before him; he heard strange sounds. He shook, and it seemed as if the
scales fell from his eyes, letting all the horror of his life flash into
his ken. There was a sense of the finality of things; he saw dimly a
far-off purpose.
It was the _staleness_, the torture of sin, not a sorrowful sense of
evil, that settled round him like a cloud. He had fed his appetites too
heavily, and a total apoplexy of mind and soul had ensued.
Then came a knock at the door, and a grotesque figure entered--a large,
gross old man, with heavy pouches under the eyes, with unsteady
dribbling lips, dressed in a long parti-coloured dressing-gown.
Public-domain text, read in full here on John Shaqi.
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