This contrast between the “private bar” and the taproom round the corner reminded me of another town which illustrates it perfectly. At the edge of the town, its large front windows looking up the principal street, its small back windows over a windy common to noble hills, is a public house called “The Jolly Drover.” The tap of “The Jolly Drover” is the one blot upon the face of Coldiston. The town is clean and demure from the decent old houses of the market-place to the brand-new cottages, more like conservatories than dwellings, on the outskirts. The magistrates are busy week after week in sentencing men and women of all ages for begging, asking for hot water to make tea, sleeping under hedges or in barns, for being unseemly in act or speech; if possible, nothing offensive must happen in the streets. A market is held once a week and is a byword in the county. Any animal can be offered for sale there; the drover creeps along behind a beast that attracts as much attention as a menagerie in the wayside villages; they know where it is going; they have seen a pig resembling a greyhound, except that it had not the strength to stand up, sold there for a shilling. Three or four times a year a builder and contractor of Coldiston is sold up, because he has been trying to get work by doing it for nothing, and these sales are the chief diversion of the neighbourhood. The town is a model of neatness and respectability, as if created by a shop-window decorator; and of all the public-houses--all named hotels--“The Jolly Drover” is the neatest and most respectable outside, and the most expensive inside. It is painted white at short intervals. The chief barmaid is a Londoner, white-faced and coral-lipped, with a love-lock over her marble brow; and her way is brisk and knowing, and her speech more than equal to the demands made upon it of an evening by the tradesmen who will come until they are rich enough to quit the town for ever. Every form of invitation adorns the exterior.