England -- Description and travel; Icknield Way (England); Thomas, Edward, 1878-1917
Bright as the
sun, clear as the west wind, joyous as the heart of man and hound and
horse sounded the horns.
There was nothing more in the three verses, there seemed little more
in the melody. After a little talk and much laughter and shouting
with deep and shrill voices, blowing of horns, cheering, and chiding
of steeds, summoning and urging of hounds, they rode away. They
climbed the wild hills and saw an angry sea of yet wilder hills in the
distance. They descended into the rich vales. They scattered joyfully.
They gathered together as joyfully. They feasted until better than any
wit or beauty or adventure seemed sleep. Then they slept.
Other listeners to the song might think rather of a later hunt
assembling before a cheerful Georgian mansion with many windows, and
behind one of them a lady playing “Caradoc’s Hunt” on a spinet, and
warbling it in Saxon. I thought of such a one as I heard the invisible
lady playing at Sparsholt.
Others, again, would be content with nothing later than the age
of chivalry and the _Mabinogion_. The hunters would all be auburn
or yellow-haired young men. They are clad in yellow tunics, green
hose, and shoes of parti-coloured leather clasped at the instep with
gold. Some carry bows of ivory strung with deer sinews, the shafts
of whalebone headed with gold and winged with peacock’s feathers.
Others have silver-headed spears of ash-wood coloured azure. All wear
whalebone-hafted and gold-hilted daggers and horns of ivory. Their
hunting is earnest, though elaborated with much decoration of custom,
style, and ceremony. They are men who must go hungry but for the chase.
They run or ride to hunt the stag or the boar, and nobly beautiful and
blithe look they as they begin to move away from the castle, and their
tall, brindled white-breasted greyhounds, wearing collars of rubies,
are sporting like sea-swallows from side to side of them. But they may
encounter foes instead of quarry; they may kill or be killed by young
braves from other borders. So with all the gallantry of dress and
harping there is something grim in their going forth; nor is it idle
bombast for one among them to ride out carrying only what he calls the
mightiest of all weapons--the harp--on which he plays “Caradoc’s Hunt”
at the starting.
Public-domain text, read in full here on John Shaqi.
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