The art of Painting, however, is peculiar: Music and Architecture are more ideal, and their respective archetypes, even if not supernatural, at least are abstract and unearthly; and yet what I have been observing about Painting, holds, I think, analogously, in the marvellous development which Musical Science has undergone in the last century. Doubtless here too the highest genius may be made subservient to Religion; here too, still more simply than in the case of Painting, the Science has a field of its own, perfectly innocent, into which Religion does not and need not enter; on the other hand here also, in the case of Music as of Painting, it is certain that Religion must be alive and on the defensive, for, if its servants sleep, a potent enchantment will steal over it. Music, I suppose, though this is not the place to enlarge upon it, has an object of its own; as mathematical science also, it is the expression of ideas greater and more profound than any in the visible world, ideas, which centre indeed in Him whom Catholicism manifests, who is the seat of all beauty, order, and perfection whatever, still ideas after all which are not those on which Revelation directly and principally fixes our gaze. If then a great master in this mysterious science (if I may speak of matters which seem to lie out of my own province) throws himself on his own gift, trusts its inspirations, and absorbs himself in those thoughts which, though they come to him in the way of nature, belong to things above nature, it is obvious he will neglect everything else. Rising in his strength, he will break through the trammels of words, he will scatter human voices, even the sweetest, to the winds; he will be borne upon nothing less than the fullest flood of sounds which art has enabled him to draw from mechanical contrivances; he will go forth as a giant, as far as ever his instruments can reach, starting from their secret depths fresh and fresh elements of beauty and grandeur as he goes, and pouring them together into still more marvellous and rapturous combinations;—and well indeed and lawfully, while he keeps to that line which is his own; but, should he happen to be attracted, as he well may, by the sublimity, so congenial to him, of the Catholic doctrine and ritual, should he engage in sacred themes, should he resolve by means of his art to do honour to the Mass, or the Divine Office,—(he cannot have a more pious, a better purpose, and Religion will gracefully accept what he gracefully offers; but)—is it not certain, from the circumstances of the case, that he will be carried on rather to use Religion than to minister to it, unless Religion is strong on its own ground, and reminds him that, if he would do honour to the highest of subjects, he must make himself its scholar, must humbly follow the thoughts given him, and must aim at the glory, not of his own gift, but of the Great Giver? 7.