Every time that Aglaya showed temper (and this was very often), there was so much childish pouting, such “school-girlishness,” as it were, in her apparent wrath, that it was impossible to avoid smiling at her, to her own unutterable indignation. On these occasions she would say, “How can they, how _dare_ they laugh at me?” This time everyone laughed at her, her sisters, Prince S., Prince Muishkin (though he himself had flushed for some reason), and Colia. Aglaya was dreadfully indignant, and looked twice as pretty in her wrath. “He’s always twisting round what one says,” she cried. “I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...” “You are inclined to go a little too far, my good boy, with your guesses,” said Mrs. Epanchin, with some show of annoyance. “But it’s not I alone,” cried Colia. “They all talked about it, and they do still. Why, just now Prince S. and Adelaida Ivanovna declared that they upheld ‘the poor knight’; so evidently there does exist a ‘poor knight’; and if it were not for Adelaida Ivanovna, we should have known long ago who the ‘poor knight’ was.” “Why, how am I to blame?” asked Adelaida, smiling. “You wouldn’t draw his portrait for us, that’s why you are to blame! Aglaya Ivanovna asked you to draw his portrait, and gave you the whole subject of the picture. She invented it herself; and you wouldn’t.” “What was I to draw? According to the lines she quoted: “‘From his face he never lifted That eternal mask of steel.’” “What sort of a face was I to draw? I couldn’t draw a mask.” “I don’t know what you are driving at; what mask do you mean?” said Mrs. Epanchin, irritably. She began to see pretty clearly though what it meant, and whom they referred to by the generally accepted title of “poor knight.” But what specially annoyed her was that the prince was looking so uncomfortable, and blushing like a ten-year-old child. “Well, have you finished your silly joke?” she added, “and am I to be told what this ‘poor knight’ means, or is it a solemn secret which cannot be approached lightly?” But they all laughed on. “It’s simply that there is a Russian poem,” began Prince S., evidently anxious to change the conversation, “a strange thing, without beginning or end, and all about a ‘poor knight.’ A month or so ago, we were all talking and laughing, and looking up a subject for one of Adelaida’s pictures—you know it is the principal business of this family to find subjects for Adelaida’s pictures. Well, we happened upon this ‘poor knight.’ I don’t remember who thought of it first—” “Oh! Aglaya Ivanovna did,” said Colia. “Very likely—I don’t recollect,” continued Prince S.