“Some of us laughed at the subject; some liked it; but she declared that, in order to make a picture of the gentleman, she must first see his face. We then began to think over all our friends’ faces to see if any of them would do, and none suited us, and so the matter stood; that’s all. I don’t know why Nicolai Ardalionovitch has brought up the joke now. What was appropriate and funny then, has quite lost all interest by this time.” “Probably there’s some new silliness about it,” said Mrs. Epanchin, sarcastically. “There is no silliness about it at all—only the profoundest respect,” said Aglaya, very seriously. She had quite recovered her temper; in fact, from certain signs, it was fair to conclude that she was delighted to see this joke going so far; and a careful observer might have remarked that her satisfaction dated from the moment when the fact of the prince’s confusion became apparent to all. “‘Profoundest respect!’ What nonsense! First, insane giggling, and then, all of a sudden, a display of ‘profoundest respect.’ Why respect? Tell me at once, why have you suddenly developed this ‘profound respect,’ eh?” “Because,” replied Aglaya gravely, “in the poem the knight is described as a man capable of living up to an ideal all his life. That sort of thing is not to be found every day among the men of our times. In the poem it is not stated exactly what the ideal was, but it was evidently some vision, some revelation of pure Beauty, and the knight wore round his neck, instead of a scarf, a rosary. A device—A. N. B.—the meaning of which is not explained, was inscribed on his shield—” “No, A. N. D.,” corrected Colia. “I say A. N. B., and so it shall be!” cried Aglaya, irritably. “Anyway, the ‘poor knight’ did not care what his lady was, or what she did. He had chosen his ideal, and he was bound to serve her, and break lances for her, and acknowledge her as the ideal of pure Beauty, whatever she might say or do afterwards. If she had taken to stealing, he would have championed her just the same. I think the poet desired to embody in this one picture the whole spirit of medieval chivalry and the platonic love of a pure and high-souled knight. Of course it’s all an ideal, and in the ‘poor knight’ that spirit reached the utmost limit of asceticism. He is a Don Quixote, only serious and not comical. I used not to understand him, and laughed at him, but now I love the ‘poor knight,’ and respect his actions.” So ended Aglaya; and, to look at her, it was difficult, indeed, to judge whether she was joking or in earnest. “Pooh! he was a fool, and his actions were the actions of a fool,” said Mrs. Epanchin; “and as for you, young woman, you ought to know better. At all events, you are not to talk like that again. What poem is it? Recite it! I want to hear this poem! I have hated poetry all my life. Prince, you must excuse this nonsense. We neither of us like this sort of thing! Be patient!” They certainly were put out, both of them.