Historical fiction; Russia -- Social conditions -- 1801-1917 -- Fiction
The prince tried to say something, but he was too confused, and could
not get his words out. Aglaya, who had taken such liberties in her
little speech, was the only person present, perhaps, who was not in the
least embarrassed. She seemed, in fact, quite pleased.
She now rose solemnly from her seat, walked to the centre of the
terrace, and stood in front of the prince’s chair. All looked on with
some surprise, and Prince S. and her sisters with feelings of decided
alarm, to see what new frolic she was up to; it had gone quite far
enough already, they thought. But Aglaya evidently thoroughly enjoyed
the affectation and ceremony with which she was introducing her
recitation of the poem.
Mrs. Epanchin was just wondering whether she would not forbid the
performance after all, when, at the very moment that Aglaya commenced
her declamation, two new guests, both talking loudly, entered from the
street. The new arrivals were General Epanchin and a young man.
Their entrance caused some slight commotion.
VII.
The young fellow accompanying the general was about twenty-eight, tall,
and well built, with a handsome and clever face, and bright black eyes,
full of fun and intelligence.
Aglaya did not so much as glance at the new arrivals, but went on with
her recitation, gazing at the prince the while in an affected manner,
and at him alone. It was clear to him that she was doing all this with
some special object.
But the new guests at least somewhat eased his strained and
uncomfortable position. Seeing them approaching, he rose from his
chair, and nodding amicably to the general, signed to him not to
interrupt the recitation. He then got behind his chair, and stood there
with his left hand resting on the back of it. Thanks to this change of
position, he was able to listen to the ballad with far less
embarrassment than before. Mrs. Epanchin had also twice motioned to the
new arrivals to be quiet, and stay where they were.
The prince was much interested in the young man who had just entered.
He easily concluded that this was Evgenie Pavlovitch Radomski, of whom
he had already heard mention several times. He was puzzled, however, by
the young man’s plain clothes, for he had always heard of Evgenie
Pavlovitch as a military man. An ironical smile played on Evgenie’s
lips all the while the recitation was proceeding, which showed that he,
too, was probably in the secret of the ‘poor knight’ joke. But it had
become quite a different matter with Aglaya. All the affectation of
manner which she had displayed at the beginning disappeared as the
ballad proceeded. She spoke the lines in so serious and exalted a
manner, and with so much taste, that she even seemed to justify the
exaggerated solemnity with which she had stepped forward. It was
impossible to discern in her now anything but a deep feeling for the
spirit of the poem which she had undertaken to interpret.
Public-domain text, read in full here on John Shaqi.
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