Historical fiction; Russia -- Social conditions -- 1801-1917 -- Fiction
“There, prince,” said she, “there’s my album. Now choose a page and
write me something, will you? There’s a pen, a new one; do you mind a
steel one? I have heard that you caligraphists don’t like steel pens.”
Conversing with the prince, Aglaya did not even seem to notice that
Gania was in the room. But while the prince was getting his pen ready,
finding a page, and making his preparations to write, Gania came up to
the fireplace where Aglaya was standing, to the right of the prince,
and in trembling, broken accents said, almost in her ear:
“One word, just one word from you, and I’m saved.”
The prince turned sharply round and looked at both of them. Gania’s
face was full of real despair; he seemed to have said the words almost
unconsciously and on the impulse of the moment.
Aglaya gazed at him for some seconds with precisely the same composure
and calm astonishment as she had shown a little while before, when the
prince handed her the note, and it appeared that this calm surprise and
seemingly absolute incomprehension of what was said to her, were more
terribly overwhelming to Gania than even the most plainly expressed
disdain would have been.
“What shall I write?” asked the prince.
“I’ll dictate to you,” said Aglaya, coming up to the table. “Now then,
are you ready? Write, ‘I never condescend to bargain!’ Now put your
name and the date. Let me see it.”
The prince handed her the album.
“Capital! How beautifully you have written it! Thanks so much. _Au
revoir_, prince. Wait a minute,” she added, “I want to give you
something for a keepsake. Come with me this way, will you?”
The prince followed her. Arrived at the dining-room, she stopped.
“Read this,” she said, handing him Gania’s note.
The prince took it from her hand, but gazed at her in bewilderment.
“Oh! I _know_ you haven’t read it, and that you could never be that
man’s accomplice. Read it, I wish you to read it.”
The letter had evidently been written in a hurry:
Public-domain text, read in full here on John Shaqi.
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