The Idler in FranceBlessington, Marguerite, Countess of
History
The Idler in France
Blessington, Marguerite, Countess of
France -- Description and travel; France -- Social life and customs
The inscription has only served to base the different hypotheses of
antiquaries, among which that of the Abbé Barthélemy is considered the
most probable; namely, that in the three first words are found two
initials, which he considers may be rendered as follows:--
SEXTUS · LUCIVS · MARCVS;
and the two other initials, C.F., which follow the word JVLIEI, may be
explained in the same manner to signify Caii Filii, and, being joined
to Juliei, which precedes, may be received to mean Julii Caii Filii.
Mantour's reading of the inscription is, Caius Sextius Lucius, Maritus
JULIÆ Incomparabilis, Curavit Fieri PARENTIBUS SUIS; which he
translates into Caius Sextius Lucius, Husband of Julia, caused this
Monument to be erected to the Memory of his Ancestors, and the
victories achieved by them in Provence, which on different occasions
had been the theatre of war of the Romans.
Bouche's version of it is,--
{Lucius, }
Sextus {Lælius, } Maritus Juliæ.
{Liberius,}
Istud Cenotaphium,}
or, } Fecit Parentibus Suis;
Intra Circulum, }
which he asserts to mean,--Sextus, in honour of his Father and Mother,
buried in this place, and represented by the two statues surrounded by
columns in the upper part of the mausoleum.
Monsieur P. Malosse, to whose work on the antiquities of St.-Rémy I am
indebted for the superficial knowledge I have attained of these
interesting objects, explains the inscription to mean,--
SEXTVS · LVCIVS · MARCVS · JVLIEI · CVRAV ·
ERUNT · FIERE · SUEIS;
which he translates into Sextus, Lucius, Marcus (all three), of the
race of Julius, elevated this monument to the glory of their relations.
M. Malosse believes that the mausoleum was erected to Julius, and the
arch to Augustus Cæsar--the first being dead, and the second then
living; and that the statues in the former, in the Roman togas, were
intended to represent the two.
He imagines that the subjects of the bassi-relievi on the four fronts
of the mausoleum bear out this hypothesis. That of the east, he says,
represents the combat of the Romans with the Germans on the bank of the
Rhine (of which river the one on the basso-relievo is the emblem), and
the triumph of Cæsar over Ariovistus, whoso women were taken prisoners.
The basso-relievo on the south front represents Cæsar's conquest of the
Allobroges, and the capture of the daughter of Orgetorix, one of the
most powerful men of the country, and instigator of the war. The
basso-relievo on the north front, representing a combat of cavalry,
refers to the victory over the Britons; and that of the west front, to
the battle gained by the Romans over the Gauls, in which the general of
the latter was killed in the midst of his soldiers, who endeavoured to
prevent his being seized by the enemy.
Public-domain text, read in full here on John Shaqi.
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