The Idler in FranceBlessington, Marguerite, Countess of
History
The Idler in France
Blessington, Marguerite, Countess of
France -- Description and travel; France -- Social life and customs
Yet still the wind a requiem sighs,
And the blue sky above it weeps;
Thu Sun pours down its radiant dyes,
Though none can tell who 'neath it sleeps.
14.
And seasons roll, and centuries pass,
And still unchanged thou keep'st thy place;
While we, like shadows in a glass,
Soon glide away, and leave no trace.
15.
And yon proud Arch, the Victor's meed,
Is nameless as the neighbouring Tomb:
Victor, and Dead, the Fates decreed
Your memory to oblivion's gloom.
CHAPTER IV.
LYONS.
I see little alteration at Lyons since I formerly passed through it.
Its manufactories are, nevertheless, flourishing, though less
improvement than could be expected is visible in the external aspect of
the place.
This being Sunday, and the _Féte-Dieu_, the garrison, with flags
flying, drums beating, trumpets sounding, and all in gala dress,
marched through the streets to attend Divine worship. The train was
headed by our old acquaintance General Le Paultre de la Motte, (whom we
left at Lyons on our route to Italy), and his staff; wearing all their
military decorations, attended by a vast procession, including the
whole of the clergy in their rich attires and all the different
religious communities in the town.
The officers were bare-headed--their spurred heels and warlike
demeanour rendering this homage to a sacred ceremony more picturesque.
The gold and silver brocaded vestments and snowy robes of the priests
glittering in the sun, as they marched along to the sound of martial
music, looked very gorgeous; and this mixture of ecclesiastical and
military pomp had an imposing effect.
The streets through which the procession passed were ornamented with
rich draperies and flowers, reminding me of Italy on similar occasions;
and the intense heat of a sun glowing like a fiery furnace, aided the
recollection.
Since I have been on the continent, it has often struck me with
surprise, that on solemn occasions like the present, sacred music has
not been performed instead of military. Nay, I have heard quadrilles
and waltzes played, fruitful in festive associations little suited to
the feelings which ought to have been excited by solemn ceremonials.
Knowing, by experience, the effect produced on the mind by sacred
music, it is much to be wished that so potent an aid to devotional
sentiment should not be omitted, _malgré_ whatever may be said against
any extraneous assistance in offering up those devotions which the
heart should be ever prompt to fulfil without them.
I leave to casuists to argue whether, or how far, music, sculpture, or
painting, may be employed as excitements to religious fervour: but I
confess, although the acknowledgment may expose me to the censure of
those who differ with me in opinion, that I consider them powerful
adjuncts, and, consequently, not to be resigned because _some_--and
happy, indeed, may they be deemed--stand in no need of such incitements
to devotion.
Public-domain text, read in full here on John Shaqi.
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